起源

Albert C. Smith, K. S. Smith
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Looking ahead, I am proud to announce that we have many exciting issues coming up—from Visualization in Public Spaces to Art and Cultural Heritage to Graphics and Virtual Environments for Serious Games to Data Physicalization, we are covering again a broad spectrum of computer graphics applications. However, I am most excited about our issue for December 2020, which will focus on Climate Change, of course, from a computer graphics, visualization, and HCI point of view. But the name of the current issue, Origins, has been “stolen” from our brand new department, which we are introducing in this issue. It is called “Visual Computing: Origins” and details “personal accounts of the origins of techniques, software, and hardware in computer graphics.” I am especially pleased that Turner Whitted—the “father” of global illumination—will be the author of the inaugural issue. Turner’s article tells the story of his inspiration, development, and first public presentation of recursive ray tracing, a technique that was an important framework for later research in global illumination, a term Whitted coined. Whitted brackets his story with descriptions of the state-of-the art in shading in the late 1970s when he began his ray tracing work and the state-of-the art in global illumination in the mid 1980s, when the technology was starting to be mainstream. The team that is putting together the department consists of big names in the field themselves––Mary Whitton, Chris Johnson, Bill Lorensen, and David Kasik. 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引用次数: 0

摘要

在过去的一年里,《& OUR MAGAZINE》见证了许多新事物——从新的版面到出色的制作人员,再到为作者、审稿人、编辑和特刊客座编辑改进了指南的新网页,以及改进的作者模板。我希望这能使您向读者提供您的贡献更顺畅。此外,我们通过更频繁的Twitter消息,以及通过在Facebook上发布的额外材料(杂志中没有),大大提高了我们的在线形象。我们将非常感谢我们的读者反馈如何更好地为您服务在这方面。展望未来,我很自豪地宣布,我们有许多令人兴奋的问题即将到来——从公共空间的可视化到艺术和文化遗产,再到严肃游戏的图形和虚拟环境,再到数据物理化,我们再次涵盖了广泛的计算机图形应用。然而,我最兴奋的是我们2020年12月的问题,当然,它将从计算机图形学、可视化和HCI的角度关注气候变化。但是本期杂志的名字“起源”却从我们全新的部门“偷来”了,我们将在本期介绍这个部门。它被称为“视觉计算:起源”,详细介绍了“计算机图形学中技术、软件和硬件起源的个人描述”。我特别高兴的是,全球照明之父特纳·怀特将担任创刊号的作者。特纳的文章讲述了他的灵感,发展和递归光线追踪的第一次公开展示的故事,递归光线追踪技术是后来研究全局照明(Whitted创造的术语)的重要框架。Whitted在他的故事中描述了20世纪70年代末他开始光线追踪工作时最先进的阴影技术,以及20世纪80年代中期最先进的全局照明技术,当时该技术开始成为主流。组建该部门的团队由该领域的知名人士组成——玛丽·惠顿、克里斯·约翰逊、比尔·洛伦森和大卫·卡西克。数字对象标识符10.1109/MCG.2019.2957689
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Origins
& OUR MAGAZINE HAS seen a lot of new things this past year—from a new layout to a fantastic production staff to a new webpage with improved guidelines for authors, reviewers, editors, and special issue guest editors as well as improved author templates. I hope this makes it smoother to provide your contribution to our readers. Further, we much improved our online presence through more frequent Twitter messages, but also through additional material (not available in the magazine) that we are posting on Facebook. We would be grateful for feedback from our readers as to how better to serve you in this regard. Looking ahead, I am proud to announce that we have many exciting issues coming up—from Visualization in Public Spaces to Art and Cultural Heritage to Graphics and Virtual Environments for Serious Games to Data Physicalization, we are covering again a broad spectrum of computer graphics applications. However, I am most excited about our issue for December 2020, which will focus on Climate Change, of course, from a computer graphics, visualization, and HCI point of view. But the name of the current issue, Origins, has been “stolen” from our brand new department, which we are introducing in this issue. It is called “Visual Computing: Origins” and details “personal accounts of the origins of techniques, software, and hardware in computer graphics.” I am especially pleased that Turner Whitted—the “father” of global illumination—will be the author of the inaugural issue. Turner’s article tells the story of his inspiration, development, and first public presentation of recursive ray tracing, a technique that was an important framework for later research in global illumination, a term Whitted coined. Whitted brackets his story with descriptions of the state-of-the art in shading in the late 1970s when he began his ray tracing work and the state-of-the art in global illumination in the mid 1980s, when the technology was starting to be mainstream. The team that is putting together the department consists of big names in the field themselves––Mary Whitton, Chris Johnson, Bill Lorensen, and David Kasik. Digital Object Identifier 10.1109/MCG.2019.2957689
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