{"title":"流亡对位:古巴流亡接待、媒体行动主义、保守主义和国家教育电视网","authors":"Mwakasege-Minaya","doi":"10.2979/chiricu.4.2.04","DOIUrl":null,"url":null,"abstract":"Abstract:This article focuses on a Cuban exile activist organization, the Truth About Cuba Committee (TACC), and their campaign against the television documentary Three Faces of Cuba (1959). The TACC, an anti-communist group, and their fellow Cuban exiles regarded the documentary as Red propaganda. This article argues that the TACC used their analysis of the documentary as a means to compel US authorities like Edgar Hoover to act as a regulatory body and intervene in its broadcasting as part of a broader agenda to curtail positive portrayals of the Revolution in the US. The TACC provided a critical and close analysis of Three Faces of Cuba that drew from post–War World II research on mass persuasion by US military intelligence and research institutions. This work makes a further case that the TACC formed interpretative strategies that were cultivated through the exilic experience, shared by many in the émigré community and expressing their Cuban conservatism.","PeriodicalId":240236,"journal":{"name":"Chiricú Journal: Latina/o Literatures, Arts, and Cultures","volume":"14 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2020-08-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"3","resultStr":"{\"title\":\"Exiled Counterpoint: Cuban Exile Reception, Media Activism, Conservatism, and the National Educational Television Network\",\"authors\":\"Mwakasege-Minaya\",\"doi\":\"10.2979/chiricu.4.2.04\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Abstract:This article focuses on a Cuban exile activist organization, the Truth About Cuba Committee (TACC), and their campaign against the television documentary Three Faces of Cuba (1959). The TACC, an anti-communist group, and their fellow Cuban exiles regarded the documentary as Red propaganda. This article argues that the TACC used their analysis of the documentary as a means to compel US authorities like Edgar Hoover to act as a regulatory body and intervene in its broadcasting as part of a broader agenda to curtail positive portrayals of the Revolution in the US. The TACC provided a critical and close analysis of Three Faces of Cuba that drew from post–War World II research on mass persuasion by US military intelligence and research institutions. This work makes a further case that the TACC formed interpretative strategies that were cultivated through the exilic experience, shared by many in the émigré community and expressing their Cuban conservatism.\",\"PeriodicalId\":240236,\"journal\":{\"name\":\"Chiricú Journal: Latina/o Literatures, Arts, and Cultures\",\"volume\":\"14 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2020-08-21\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"3\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Chiricú Journal: Latina/o Literatures, Arts, and Cultures\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.2979/chiricu.4.2.04\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Chiricú Journal: Latina/o Literatures, Arts, and Cultures","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.2979/chiricu.4.2.04","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
Exiled Counterpoint: Cuban Exile Reception, Media Activism, Conservatism, and the National Educational Television Network
Abstract:This article focuses on a Cuban exile activist organization, the Truth About Cuba Committee (TACC), and their campaign against the television documentary Three Faces of Cuba (1959). The TACC, an anti-communist group, and their fellow Cuban exiles regarded the documentary as Red propaganda. This article argues that the TACC used their analysis of the documentary as a means to compel US authorities like Edgar Hoover to act as a regulatory body and intervene in its broadcasting as part of a broader agenda to curtail positive portrayals of the Revolution in the US. The TACC provided a critical and close analysis of Three Faces of Cuba that drew from post–War World II research on mass persuasion by US military intelligence and research institutions. This work makes a further case that the TACC formed interpretative strategies that were cultivated through the exilic experience, shared by many in the émigré community and expressing their Cuban conservatism.