Lechosław Olszewski
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摘要

阿格里帕的万神殿仍然是激烈辩论的主题。卡修斯·迪奥的《罗马史》(53.27.2-3)中有一段被广泛讨论的段落,它通常被视为一个独立的、不言自明的整体。然而,为了便于理解,每个文本都需要更广泛的参考点,以便提取意义。在本文中,我分析了部分上下文范围(包括迪奥对所谓的帝国崇拜的态度,以及奥古斯都和凯撒的崇拜在他的叙述中所扮演的角色),我认为我们应该相当谨慎地看待他对万神殿的描述。这种叙述包含三种不同的叙事线索:一种基于编年史的传统,另一种借鉴了作者自己的经历,另一种构成了一种文学和修辞的覆盖,旨在实现罗马史的总体目标。在这本书中,“前凯撒”被置于两次之间:在作者的历史知识和他现在的环境之间,在神和人的领域之间。这种表达的不精确性并非偶然。我相信这个表达与其说是指一个特定的雕像,不如说是一种修辞手法,强调在任皇帝和他已故的前任之间的差异,从迪奥的角度来看,这是根本的差异。
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Cassius Dio (53 .27 .2–3), the Pantheon and the ‘Former Caesar’(ὁ πρότερός Καῖσαρ)
Agrippa’s Pantheon remains the subject of lively debates. A much-discussed passage is found in Cassius Dio’s Roman History (53.27.2-3), which is most often treated as a stand-alone, self-explanatory whole. However, in order to be comprehensible, each text needs a broader range of reference points in order for meaning to be extracted. In this paper, I analyze part of that contextual spectrum (including Dio’s attitude to the so-called imperial cult and the roles played in his narrative by the cults of both Augustus and Caesar), and I argue that we should view his account of the Pantheon with considerable caution. That account contains three different narrative threads: one based on the annalist tradition, but also one which drew on the author’s own experiences, and one that constituted a literary and rhetorical overlay aimed at real- izing the general objectives of the Roman History. In this account, the ‘former Caesar’ has been placed in between twice over: between the author’s historical knowledge and his present circumstances, and between the realms of gods and humans. That imprecise nature of this expression was no accident. I believe the expression was not so much a reference to a specific statue as a figure of speech emphasizing the differ- ence, fundamental from Dio’s perspective, between the incumbent emperor and his deceased predecessor.
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