{"title":"“解开一个点”——《咆哮的女孩》中的内在性、剑斗和性别","authors":"Matthew Carter","doi":"10.12745/ET.21.1.3145","DOIUrl":null,"url":null,"abstract":"Abstract:This article discusses the critical apparatus surrounding Dekker and Middleton's well-known play The Roaring Girl. While previous discussions of the text have focused mostly on Moll's cross-dressing, I instead look at Moll's sword skills to show how the lascivious behaviour of London's men produces her gender performance, which seems unruly by early modern standards. I also examine other rituals of gender construction that texture previous analyses of Moll.","PeriodicalId":422756,"journal":{"name":"Early Theatre: A Journal associated with the Records of Early English Drama","volume":"104 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2017-09-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":"{\"title\":\"'Untruss a Point'—Interiority, Sword Combat, and Gender in The Roaring Girl\",\"authors\":\"Matthew Carter\",\"doi\":\"10.12745/ET.21.1.3145\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Abstract:This article discusses the critical apparatus surrounding Dekker and Middleton's well-known play The Roaring Girl. While previous discussions of the text have focused mostly on Moll's cross-dressing, I instead look at Moll's sword skills to show how the lascivious behaviour of London's men produces her gender performance, which seems unruly by early modern standards. I also examine other rituals of gender construction that texture previous analyses of Moll.\",\"PeriodicalId\":422756,\"journal\":{\"name\":\"Early Theatre: A Journal associated with the Records of Early English Drama\",\"volume\":\"104 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2017-09-02\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"1\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Early Theatre: A Journal associated with the Records of Early English Drama\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.12745/ET.21.1.3145\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Early Theatre: A Journal associated with the Records of Early English Drama","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.12745/ET.21.1.3145","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
'Untruss a Point'—Interiority, Sword Combat, and Gender in The Roaring Girl
Abstract:This article discusses the critical apparatus surrounding Dekker and Middleton's well-known play The Roaring Girl. While previous discussions of the text have focused mostly on Moll's cross-dressing, I instead look at Moll's sword skills to show how the lascivious behaviour of London's men produces her gender performance, which seems unruly by early modern standards. I also examine other rituals of gender construction that texture previous analyses of Moll.
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