{"title":"爵士钢琴发声中背景和声稳定性的心理声学基础","authors":"J. McGowan","doi":"10.14713/JJS.V7I2.13","DOIUrl":null,"url":null,"abstract":"While many written sources on tonal jazz harmony are implicitly aware of the fundamental differences between \"stable\" and \"unstable\" chords, little significant work has examined an improvising jazz pianist's harmonic options in terms of stability, or \"consonance.\" For this article the author focuses on the vertical dimensions of this issue, providing a \"harmonic dialects\" model that accounts for variants in chordal membership of stable sonorities, and an outline of psychoacoustic phenomena that affect how various piano voicings are interpreted as stable or unstable in different contexts.","PeriodicalId":331183,"journal":{"name":"Journal of Jazz Studies","volume":null,"pages":null},"PeriodicalIF":0.0000,"publicationDate":"2011-11-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"10","resultStr":"{\"title\":\"Psychoacoustic Foundations Of Contextual Harmonic Stability In Jazz Piano Voicings\",\"authors\":\"J. McGowan\",\"doi\":\"10.14713/JJS.V7I2.13\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"While many written sources on tonal jazz harmony are implicitly aware of the fundamental differences between \\\"stable\\\" and \\\"unstable\\\" chords, little significant work has examined an improvising jazz pianist's harmonic options in terms of stability, or \\\"consonance.\\\" For this article the author focuses on the vertical dimensions of this issue, providing a \\\"harmonic dialects\\\" model that accounts for variants in chordal membership of stable sonorities, and an outline of psychoacoustic phenomena that affect how various piano voicings are interpreted as stable or unstable in different contexts.\",\"PeriodicalId\":331183,\"journal\":{\"name\":\"Journal of Jazz Studies\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2011-11-16\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"10\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Journal of Jazz Studies\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.14713/JJS.V7I2.13\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Journal of Jazz Studies","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.14713/JJS.V7I2.13","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
Psychoacoustic Foundations Of Contextual Harmonic Stability In Jazz Piano Voicings
While many written sources on tonal jazz harmony are implicitly aware of the fundamental differences between "stable" and "unstable" chords, little significant work has examined an improvising jazz pianist's harmonic options in terms of stability, or "consonance." For this article the author focuses on the vertical dimensions of this issue, providing a "harmonic dialects" model that accounts for variants in chordal membership of stable sonorities, and an outline of psychoacoustic phenomena that affect how various piano voicings are interpreted as stable or unstable in different contexts.