{"title":"通过Coolitude的艺术漫步","authors":"Danny Amos Flynn","doi":"10.13169/jofstudindentleg.3.1.0157","DOIUrl":null,"url":null,"abstract":"Referencing two 19th-century identity photographs of Indian migrants named Beekano and Doorgana, taken from the research of historian Marina Carter at the Mauritian Archives, Flynn has produced artworks using the obsolete method of screen-printing to transform the portraits that originally were to aid an oppressive colonial regime focused on policing and immobilizing its immigrant labour. He has also involved the same two individuals in a fictionalized scene in which a surreal fantasy takes Beekano on a journey where he is stripped of his physical body and disappears to be released before any destination is arrived at.","PeriodicalId":179792,"journal":{"name":"Journal of Indentureship and Its Legacies","volume":"141 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Artistic meanderings through Coolitude\",\"authors\":\"Danny Amos Flynn\",\"doi\":\"10.13169/jofstudindentleg.3.1.0157\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Referencing two 19th-century identity photographs of Indian migrants named Beekano and Doorgana, taken from the research of historian Marina Carter at the Mauritian Archives, Flynn has produced artworks using the obsolete method of screen-printing to transform the portraits that originally were to aid an oppressive colonial regime focused on policing and immobilizing its immigrant labour. He has also involved the same two individuals in a fictionalized scene in which a surreal fantasy takes Beekano on a journey where he is stripped of his physical body and disappears to be released before any destination is arrived at.\",\"PeriodicalId\":179792,\"journal\":{\"name\":\"Journal of Indentureship and Its Legacies\",\"volume\":\"141 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"1900-01-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Journal of Indentureship and Its Legacies\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.13169/jofstudindentleg.3.1.0157\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Journal of Indentureship and Its Legacies","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.13169/jofstudindentleg.3.1.0157","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
Referencing two 19th-century identity photographs of Indian migrants named Beekano and Doorgana, taken from the research of historian Marina Carter at the Mauritian Archives, Flynn has produced artworks using the obsolete method of screen-printing to transform the portraits that originally were to aid an oppressive colonial regime focused on policing and immobilizing its immigrant labour. He has also involved the same two individuals in a fictionalized scene in which a surreal fantasy takes Beekano on a journey where he is stripped of his physical body and disappears to be released before any destination is arrived at.
京公网安备 11010802042870号
京ICP备2023020795号-1
分享
求助内容：
应助结果提醒方式：
扫码关注我们
