{"title":"“评论家的主要目标是看到物体本身并不是真的”:奥斯卡·王尔德的创造性批评,或作为新文学作品来源的形象","authors":"Carole Delhorme","doi":"10.1051/978-2-7598-2453-3.C014","DOIUrl":null,"url":null,"abstract":"","PeriodicalId":254990,"journal":{"name":"Images sources de textes, textes sources d'images","volume":"10 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2020-11-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"“The primary aim of the critic is to see the object as in itself it really is not”: la critique créatrice chez Oscar Wilde, ou l’image comme source d’une nouvelle oeuvre littéraire\",\"authors\":\"Carole Delhorme\",\"doi\":\"10.1051/978-2-7598-2453-3.C014\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"\",\"PeriodicalId\":254990,\"journal\":{\"name\":\"Images sources de textes, textes sources d'images\",\"volume\":\"10 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2020-11-04\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Images sources de textes, textes sources d'images\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1051/978-2-7598-2453-3.C014\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Images sources de textes, textes sources d'images","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1051/978-2-7598-2453-3.C014","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
“The primary aim of the critic is to see the object as in itself it really is not”: la critique créatrice chez Oscar Wilde, ou l’image comme source d’une nouvelle oeuvre littéraire