巴洛克风格的回归:德拉加纳·约瓦诺维奇的《龙人协奏曲》

New Sound Pub Date : 1900-01-01 DOI:10.5937/newso1901139p
Ira Prodanov
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引用次数: 0

摘要

“过去被现在改变,就像现在被过去指引一样……”(t·s·艾略特)在德拉加纳·约瓦诺维奇的新作《龙之协奏曲》中得到了证实,这是为纪念诺维萨德艺术学院大学学术乐团成立三十周年而创作的。作为一部典型的大协奏曲,它反映了法国思想家盖伊·斯卡佩塔的理论基础和美国艺术史学家格雷格·兰伯特关于巴洛克回归当代创作活动中心的思想,也反映了今天的生活方式。然而,这并没有剥夺作品的“本杰明光环”,这使得它可以通过各种参考巴洛克大师和当代流行舞蹈、电影音乐等类型的节奏来交流。
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The return of the baroque: Concerto dragonese by Dragana Jovanović
That "past is altered by the present as much as the present is directed by the past..." (T. S. Eliot) is confirmed in Concerto Dragonese, a new piece by Dragana Jovanović, dedicated to the thirtieth anniversary of existence of the Camerata Academica Ensemble of the University of Novi Sad Academy of Arts. Composed as a typical concerto grosso, it reflects the theoretical foundations of French thinker Guy Scarpetta and the thoughts of American art historian Gregg Lambert on the return of Baroque to the very center of contemporary creative activity, but also into the very style of life that is today. This, however, does not deprive the piece from the 'Benjaminian aura', which allows it to communicate through various references to baroque masters and rhythms of contemporary popular genres of dances, film music and the like.
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