{"title":"两端的不公正:种族隔离前后文学对路易斯·雷波尔特、普姆拉·戈博多·马迪基泽拉和电影《不可征服》作品中的不公正、情感和人文主义的解读","authors":"Riaan Oppelt","doi":"10.1515/9781474400411-012","DOIUrl":null,"url":null,"abstract":"","PeriodicalId":370854,"journal":{"name":"African, American and European Trajectories of Modernity","volume":"147 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2015-03-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"10 Injustice at Both Ends: Pre- and Post-apartheid Literary Approaches to Injustice, Sentiment and Humanism in the Work of C. Louis Leipoldt, Pumla Gobodo-Madikizela and the Film Invictus\",\"authors\":\"Riaan Oppelt\",\"doi\":\"10.1515/9781474400411-012\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"\",\"PeriodicalId\":370854,\"journal\":{\"name\":\"African, American and European Trajectories of Modernity\",\"volume\":\"147 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2015-03-09\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"African, American and European Trajectories of Modernity\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1515/9781474400411-012\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"African, American and European Trajectories of Modernity","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1515/9781474400411-012","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
10 Injustice at Both Ends: Pre- and Post-apartheid Literary Approaches to Injustice, Sentiment and Humanism in the Work of C. Louis Leipoldt, Pumla Gobodo-Madikizela and the Film Invictus