{"title":"客户、顾问、合伙人、“受托人”:查尔斯·费尔法克斯·默里和托马斯·阿格纽父子公司(1886-1918)","authors":"P. Tucker","doi":"10.1163/9789004431041_009","DOIUrl":null,"url":null,"abstract":"","PeriodicalId":345487,"journal":{"name":"Florence, Berlin and Beyond: Late Nineteenth-Century Art Markets and their Social Networks","volume":"7 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2020-06-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Customer, Counsel, Associate, “Trustee”: Charles Fairfax Murray and Thomas Agnew and Sons (1886–1918)\",\"authors\":\"P. Tucker\",\"doi\":\"10.1163/9789004431041_009\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"\",\"PeriodicalId\":345487,\"journal\":{\"name\":\"Florence, Berlin and Beyond: Late Nineteenth-Century Art Markets and their Social Networks\",\"volume\":\"7 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2020-06-18\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Florence, Berlin and Beyond: Late Nineteenth-Century Art Markets and their Social Networks\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1163/9789004431041_009\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Florence, Berlin and Beyond: Late Nineteenth-Century Art Markets and their Social Networks","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1163/9789004431041_009","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}