声音处理的模式系统

Hanns Holger Rutz
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引用次数: 1

摘要

本文报告了一个用于ScalaCollider和Sound Processes计算机音乐环境的新库,它是SuperCollider中已知的模式子系统的翻译和改编。从电声音乐的角度来看,模式很容易被忽视,因为它们的意义被简化为以“算法作曲”的方式产生的“音符”。然而,我们表明它们可以被理解为一种特殊的编程语言,将它们视为受集合处理启发的结构的领域特定语言。使用Ron Kuivila在我们的项目Algorithms that Matter的艺术研究驻留期间创建的SuperCollider的例子,我们展示了将该系统从一种具有特定范例集的编程语言转换为另一种编程语言的挑战。如果把这个过程作为一个算法集合的重新配置来研究,翻译后的系统会产生迄今为止不可能的新使用场景。
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A pattern system for sound processes
This article reports on a new library for the ScalaCollider and Sound Processes computer music environments, a translation and adaptation of the patterns subsystem known from SuperCollider. From the perspective of electroacoustic music, patterns can easily be overlooked by reducing their meaning to the production of "notes" in the manner of "algorithmic composition". However, we show that they can be understood as a particular kind of programming language, considering them as a domain specific language for structures inspired by collection processing. Using examples from SuperCollider created by Ron Kuivila during an artistic research residency embedded in our project Algorithms that Matter, we show the challenges in translating this system from one programming language with a particular set of paradigms to another. If this process is studied as a reconfiguration of an algorithmic ensemble, the translated system produces new usage scenarios hitherto not possible.
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