“公牛鹅”作为酋长书写自由的图腾指南

M. Somerville
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摘要

摘要本文考察了肯·凯西的《飞越疯人院》中精神治疗的制度化。这篇论文继承了米歇尔·福柯(Michel Foucault)的研究成果,研究了那些患有精神疾病的人是如何被归类为破坏性的、不适合社会的,随后被贴上疯子的标签,并被送入更类似于半司法机构而非医疗机构的机构。麦克墨菲把自己从国营农场转移到他认为限制不那么严格的精神病院,他是疯子破坏性存在的缩影,给精神病房的工作人员和病人带来了一个混乱和混乱的世界。麦克墨菲自称为“公牛鹅疯子”的头,他拒绝了相当于极权主义控制体系强加给他的规则和规定,这反映了20世纪60年代美国的反文化运动。麦克墨菲是一种狂野而顽强的自然力量,他成为了酋长和其他病人的图腾,是病人在制度体系中丧失的人类精神的化身。
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The “bull goose looney” as a Totem Guide for Chief’s Writing Himself to Freedom
Abstract This paper examines the institutionalisation of psychiatric treatment in Ken Kesey’s One Flew Over the Cuckoo’s Nest. Taking up the work of Michel Foucault, the paper examines how those suffering from mental illness were classified as disruptive and unfit for society, subsequently labelled mad and institutionalised in facilities more akin to semi-judicial structures than medical facilities. McMurphy, having manipulated a transfer for himself from a state work farm to what he perceives will be the less rigorous confines of a mental institution, epitomises the disruptive presence of the madmen, bringing a world of disorder and chaos to the staff and patients of the mental ward. Self-proclaimed as the head “bull goose looney”, McMurphy reflects the counter-culture movements of the 1960s in the United States in his rejection of the rules and regulations imposed upon him by what amounts to a totalitarian system of control. A wild indomitable force of nature, McMurphy becomes a totem for Chief and the other patients, an embodiment of the human spirit the patients have forfeited inside the institutional system.
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