Memórias com a música em ambientes informais e religiosos: diálogos com processos formativos

This article has the objective to discuss partial results of a PhD research that refers to the experience with music and its teaching in informal and religious contexts materialized in musical narratives. Such investigation adopted as theoretical framework the discussions about the concepts “formation” (BRAGANCA, 2011; CHIENE, 2010; CUNHA, 2010; DELORY-MOMBERGER, 2006; JOSSO, 2004; 2010a; 2010b; PASSEGGI, 2011b), “life history” and “narrative” (ABRAHAO, 2004; BOLIVAR; DOMINGO; FERNANDEZ, 2002; DELORY-MOMBERGER, 2011; 2014; FERRAROTTI, 2010; 2014; JOSSO, 1999; 2016; PASSEGGI, 2011a; PINEAU; LEGRAND, 2012, and others), mainly considering that it aimed to understand the ways through which the academics of the Undergraduation Course in Music produced meanings for their formative processes by developing musical-educational biographies. A contribution to the debate about the implications of the (auto)biographical approaches in teachers’ formative processes is expected above all in the interrelations between them and memories with music.