从学徒到自由:非洲艺术工作坊趋势分析

Kehinde Adewumi
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摘要

本文关注的是非洲艺术工作室的建立和运作的动态趋势。这里的工作室并不是指艺术家创作作品的空间;相反,它意味着一个协作和互动的平台,在这个平台上,艺术家们不分年龄、性别、社会地位和专业资格,作为同龄人聚集在一起,分享想法和/或创作艺术。因此,一些艺术家通过这样的平台,培养了专业关系,推动了他们的创作界限,并遇到和探索了新的材料,技术和背景。然而,从殖民时代到当代,这些艺术工作室的运作方法发生了根本性的变化。本文采用后殖民的方法,考察了这些艺术工作坊在运作目标和方法上的转变。本文还考虑了这种趋势变化的创造性含义。
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From Apprenticeship to Freedom: An Analysis of Art Workshop Trends in Africa
This paper focuses on the dynamic trends in the establishment and operation of art workshops in Africa. Workshop here does not refer to the space in which an artist produces their work; rather, it connotes a collaborative and interactive platform on which artists come together as peers, regardless of age, gender, social status and professional qualification, to share ideas and/or produce art. Thus, several artists have, through such platforms, fostered professional relationships, pushed their creative boundaries, as well as encountered and explored new materials, techniques and contexts. However, fundamental changes have occurred over the years in the operational methodologies of these art workshops, from the colonial era to the contemporary period. Adopting the postcolonial approach, this paper examines the shift in the operational aim and approach of these art workshops. The paper also considers the creative implications of such shifts in trends.
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