{"title":"新介绍艺术家皮埃尔·弗朗西斯科·卡瓦扎(1677-1733)","authors":"Tiziana Borea","doi":"10.6092/ISSN.2038-6184/9932","DOIUrl":null,"url":null,"abstract":"The article represents a first step to cast new light on such a controversial and eclectic figure as Pier Francesco Cavazza (1677- 1733) who lived and worked in his historical and cultural context as a real protagonist and then was quickly forgotten. As well as a print collector – an activity for which he is most frequently mentioned – he was also a painter: in particular, this text takes into consideration his copy of Pallione della Peste by Guido Reni and his two original artworks which have come to our days.","PeriodicalId":269664,"journal":{"name":"Figure","volume":null,"pages":null},"PeriodicalIF":0.0000,"publicationDate":"2019-11-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"A new introduction to the artist Pier Francesco Cavazza (1677-1733)\",\"authors\":\"Tiziana Borea\",\"doi\":\"10.6092/ISSN.2038-6184/9932\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The article represents a first step to cast new light on such a controversial and eclectic figure as Pier Francesco Cavazza (1677- 1733) who lived and worked in his historical and cultural context as a real protagonist and then was quickly forgotten. As well as a print collector – an activity for which he is most frequently mentioned – he was also a painter: in particular, this text takes into consideration his copy of Pallione della Peste by Guido Reni and his two original artworks which have come to our days.\",\"PeriodicalId\":269664,\"journal\":{\"name\":\"Figure\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2019-11-04\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Figure\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.6092/ISSN.2038-6184/9932\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Figure","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.6092/ISSN.2038-6184/9932","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
A new introduction to the artist Pier Francesco Cavazza (1677-1733)
The article represents a first step to cast new light on such a controversial and eclectic figure as Pier Francesco Cavazza (1677- 1733) who lived and worked in his historical and cultural context as a real protagonist and then was quickly forgotten. As well as a print collector – an activity for which he is most frequently mentioned – he was also a painter: in particular, this text takes into consideration his copy of Pallione della Peste by Guido Reni and his two original artworks which have come to our days.
京公网安备 11010802042870号
京ICP备2023020795号-1
分享
求助内容：
应助结果提醒方式：
扫码关注我们
