重新想象的阈限:进入神圣空间的入侵者和受污染的圣人的故事

Reeves
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引用次数: 0

摘要

边界的概念,或者更广泛地说,阈限,随着它在日本文化和文学世界中的演变,逐渐获得了广泛而复杂的含义。参与的挑战,通过实验调查的方式,在这个多方面的演变的各个阶段的综合检查是在人文学者特别感兴趣的。我自己对这个正在进行的项目的贡献基于一个前提,这个前提必然源于对阈限本质的考虑。我们承认,任何给定的边界实际上都是一种体现,也就是说,它是一种努力,为某种无形和不可见的东西赋予一定程度的可见现实。这是一种复杂的记忆,既有关于边界的最初概念的记忆,也有后来关于边界历史上出现的许多争议的记忆。因此,边界是一种符号,其功能是生动地唤起人们对相关记忆的复杂联想。就像记忆一样,这些边界一旦确立,就远不稳定。相反,边界是不断变化的,以至于它们必然会被否定,并最终被废除。这种转变,这种边界的出现和消失——我们可以把这个过程称为阈限的动态——值得特别注意。我认为,任何边界的本质不在于任何所谓的稳定,而在于那些不断变化和不稳定的方面。这就是阈限性的奇特悖论:只有当边界的界限完全不清晰或不固定时,我们才能恰当地把握它;阈限没有固定的边界。我在这里要研究的正是这个悖论。从主要的人类学角度来探讨这个问题,我将把重点从简单的边界讨论转移到对边界跨越的更动态的考虑,即在有限空间之间和跨越边界的运动。在文学和表演文本的世界里,跨越边界的例子最为明显。中世纪的神话和民间故事尤其丰富:重新想象的阈限:闯入神圣空间和被玷污的圣人的故事
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Liminality Reimagined: Tales of Trespassers into Sacred Space and Tainted Sages
The concept of borders or, more broadly, liminality, as it evolved within the world of Japanese culture and literature came to acquire a wide and complicated set of meanings. The challenge of participating, by way of experimental enquiry, in a comprehensive examination of the various stages along this multifaceted evolution is of special interest to scholars in the humanities. My own contribution to this ongoing project rests on a single presupposition, one which necessarily arises from a consideration of the very nature of liminality. It will be admitted that any given border is, in fact, an embodiment, that is, an effort to give a degree of visible reality to something that is otherwise intangible and invisible. That something is a complex of memories, both those memories associated with the initial conception of the border in question, as well as those memories latterly associated with the many disputes that arise throughout the history of that border. A border, then, is a symbol the function of which is to vividly bring to mind a complex of associated memories. Like memories, these borders, once established, are far from stable. Rather, borders are continually in flux, so much so that they are bound to be negated and ultimately nullified. This transformation, this appearance and disappearance of borders—a process we might refer to as the dynamism of liminality—deserves special attention. The essential nature of any border, I shall argue, lies not in any supposed stability, but rather in those aspects that are ever changing and unstable. This is the curious paradox of liminality: a border can only be properly grasped when considered as something whose delineations are not at all clear or fixed; liminality has no fixed borders. It is this paradox that I would like to examine here. Approaching the subject from a primarily anthropological perspective, I shall shift the focus from a simple discussion of borders to a more dynamic consideration of border crossings (ekkyō 越境), that is, movement between and across liminal spaces. Examples of border crossings are to be found most manifestly within the world of literary and performative texts. Medieval myths and folktales are especially rich Liminality Reimagined: Tales of Trespassers into Sacred Space and Tainted Sages
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