谢默斯·希尼的《隐士之歌》:身份与语言关系的教育

Teresa Maginess
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摘要

在本文中,我将通过关注爱尔兰作家谢默斯·希尼(Seamus Heaney)的一系列诗歌《隐士之歌》(2010)来探讨ERL问题的主题——语言和身份。我认为,通过讲述他自己的身份形成的故事,通过他与阅读,写作和学习语言的遭遇,Heaney提供了他自己年轻时的艺术家肖像。这是一个充满活力和戏剧性的故事。通过对这些诗歌的深入分析,我将展示希尼作为诗人的身份是如何从一种关于艺术与自然、关于私人与公共、关于艺术与现实的戏谑与痛苦的思考中浮现出来的。
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Seamus Heaney’s ‘Hermit Songs’: An education in the nexus of identity and language
In this paper I am going to explore the theme of this ERL issue – language and identity, by focusing upon a sequence of poems by the Irish writer, Seamus Heaney, ‘Hermit Songs’ (2010). I will argue that, by telling the story of his own identity formation through his encounter with reading, writing and the learning of languages, Heaney offers his own portrait of the artist as a young man. The story is a dynamic and dramatic one. Drawing upon close analysis of the poems based on literary critical models such as Practical Criticism and Intertextual criticism, I will demonstrate how Heaney’s identity as a poet emerges out of a playful and painful agon about art and nature, about the private and the public, about art and reality.
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