战后审美视觉文化的蜕变

Mamoona Khan
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摘要

只有敏感的生物才能拥有创造性的大脑,而最具同理心的是那些与视觉艺术领域有关的人,即使周围环境的轻微波动也会影响他们,这反映在他们的创造性努力中。他们下意识地解读自己的时间。战争的不愉快或类似战争的情况总是在他们的审美解释上留下消极的印记。历史上这样的例子比比皆是。但最令人震惊的十恶不赦的罪行是由现代战争机制实施的,违反了人类的道德观念。这个时代粉碎了人们对人道主义价值的信念。它还引起了美学领域的变革,这是人类无法理解的。这种变化是如此之快,以至于它带来了美学和美的对立阶段,法国艺术家保罗·杜尚(Paul Duchamp)在艺术展览中以雕塑的形式展示了一个小便池。因此,怪异取代了美;逻辑描述取代了深奥,狡猾取代了艺术,但仍然受到艺术的保护。它被贴上现代、主观或抽象的标签,但不被视为战争创伤的影响。本文将是一项探索性的研究,探讨通过艺术描绘的看似不合理的转变背后的原因。通过分析战后的现代艺术标本,以及一些混乱的情况下产生的标本,得出结论。它将基于演绎推理的方法来审视历史、心理学和艺术领域,以理解战争创伤对艺术家敏感灵魂的影响和反应,从而使他们改变整个美学视野。
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Metamorphosis of Aesthetic Visual Culture, an Aftermath of War
Creative brains are kept only by sensitive creatures, and the most empathetic are of those associated with visual arts fields, affected even by a minor stir in their surroundings, which is reflected in their creative endeavours. They sub consciously interpret their time. Unpleasantness of war or situations analogous to war have always left a negative mark on their aesthetic interpretations.  History is replete with such examples. But the most stunningly heinous transgressions were exercised by modern mechanisms of war that violated ethics par human perception. The era shattered beliefs of man on humanitarian values. It also caused transformation in the field of aesthetics which is beyond human comprehension. The metamorphosis was so rapid that it brought aesthetics and beauty at antithetical stages, which led the French artist Paul Duchamp to display a urinal as a piece of sculpture in an art exhibition. Hence, weirdness replaced beauty; logical delineations substituted the abstruse, and crafty ousted the artistic, still protected under the umbrella of art. It is labelled as modern, subjective or abstract but not viewed as a repercussion of war trauma. The paper will be exploratory research to probe reasons behind the apparently unreasoned transformations delineated through art. Modern art specimens of post-war era along with those resulted from a few chaotic situations will be analysed to draw conclusions. It will be based on deductive methods of reasoning to scrutinise history, psychology and the field of art in order to comprehend the impact and reactions of war trauma on sensitive souls of artists that led them to transform the entire visual field of aesthetics. 
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