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摘要

新闻部(MoI)有一个强大的士气研究机构,但在高调的宣传运动中,往往不能成功地吸引公众。塞西尔·戴·刘易斯(Cecil Day-Lewis)在战争期间曾在国防部出版部工作,他通过自己的侦探小说将这些失败寓喻化;在《恶意漫游奇境》和《谋杀一分钟》中,他都暗指了部里的“沉默柱运动”(Silent Column Campaign)等活动,这些活动未能恰当地回应来自家庭情报部门士气报告的公众批评。戴-刘易斯对国防部士气评估的微妙批评也反映在伊丽莎白·鲍恩(Elizabeth Bowen)的战时工作中,她利用自己在爱尔兰的信息工作,鼓励国防部在战争期间对这个中立国采取更同情的公开立场。鲍文试图将爱尔兰公众的欲望解读并翻译给英国官员,而《炎热的一天》同样强调了人物在解释和掌握他人欲望时的挣扎。在《炎热的一天》和她的战时短篇小说中,鲍文回到了早期的鬼魂和幽灵的心理象征,以阐明战时舆论工作者的危险地位。在本章中,Bowen和Day-Lewis都提醒读者,将内在表现为物质的欲望会在公民中产生恐惧和焦虑,他们会感到自己被监视,并将心理学视为政府和机构控制公民的另一种手段。
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The Morass of Morale
The Ministry of Information (MoI) had a robust morale-research apparatus which, more often than not, failed to successfully appeal to the public in high-profile information campaigns. Cecil Day-Lewis, who worked in the Publications division of the MoI during the war, allegorized such failures through his detective fiction; in both Malice in Wonderland and Minute for Murder, he alludes to Ministry campaigns like the “Silent Column Campaign,” which failed to appropriately respond to public criticism elicited from Home Intelligence morale reports. Day-Lewis’s subtle critiques of MoI morale assessment are also mirrored in the wartime work of Elizabeth Bowen, who used her information work in Ireland to encourage the MoI to take on more sympathetic public stances towards the neutral nation during the war. While Bowen attempted to read and translate the desires of the Irish public to English officials, The Heat of the Day likewise emphasizes characters’ struggles in interpreting and mastering the desires of others. In both The Heat of the Day and in her wartime short stories, Bowen returns to early psychographic symbols of ghosts and apparitions to elucidate the precarious position of the public opinion worker during wartime. In this chapter, both Bowen and Day-Lewis remind readers that the desire to manifest interiority as material produces fear and anxiety amongst citizens who feel themselves spied upon and who see psychographics as just another means of control for governments and institutions against its citizens.
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