{"title":"在无标记动作捕捉中实验噪音","authors":"A. Miller","doi":"10.1145/2790994.2791019","DOIUrl":null,"url":null,"abstract":"Visual culture has embraced the visual glitch as just one of many aesthetics associated with digital media. A glitch is often associated with noise in a technological system. Some motion capture systems experience noise and glitches as they process human movement. Under normal conditions, a glitch is undesirable because it decreases the usability of the capture. This short paper and demonstration introduce our research into the non-traditional use of motion capture data for the generation of artistic animated works.","PeriodicalId":272811,"journal":{"name":"Proceedings of the 2nd International Workshop on Movement and Computing","volume":"88 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2015-08-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"2","resultStr":"{\"title\":\"Experimenting with noise in markerless motion capture\",\"authors\":\"A. Miller\",\"doi\":\"10.1145/2790994.2791019\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Visual culture has embraced the visual glitch as just one of many aesthetics associated with digital media. A glitch is often associated with noise in a technological system. Some motion capture systems experience noise and glitches as they process human movement. Under normal conditions, a glitch is undesirable because it decreases the usability of the capture. This short paper and demonstration introduce our research into the non-traditional use of motion capture data for the generation of artistic animated works.\",\"PeriodicalId\":272811,\"journal\":{\"name\":\"Proceedings of the 2nd International Workshop on Movement and Computing\",\"volume\":\"88 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2015-08-14\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"2\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Proceedings of the 2nd International Workshop on Movement and Computing\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1145/2790994.2791019\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Proceedings of the 2nd International Workshop on Movement and Computing","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1145/2790994.2791019","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
Experimenting with noise in markerless motion capture
Visual culture has embraced the visual glitch as just one of many aesthetics associated with digital media. A glitch is often associated with noise in a technological system. Some motion capture systems experience noise and glitches as they process human movement. Under normal conditions, a glitch is undesirable because it decreases the usability of the capture. This short paper and demonstration introduce our research into the non-traditional use of motion capture data for the generation of artistic animated works.