《看不见的生命》:通过书信、女性的身体和主观化过程

R. Dias, Denize Sepulveda
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摘要

本文通过两位公立大学教师之间的邮件往来来探讨女性的隐身性。它是一种审美活动,以米歇尔·福柯提出的“自我写作”概念和卡里姆·阿伊努兹的电影《看不见的生活》为媒介,由穆里洛·豪泽编剧;其中意象、时间和运动通过字母发生。因此,我们在提到的电影中使用了信件,以及圭达为欧律狄斯写的文章,以便让读者了解它们在性别和性研究轨迹中的重要性,以及它们与主体性生产研究的密切联系。它的问题-道德,美学和政治-阐明了视觉艺术,性别关系,性行为和教育,因为它引起了两位教师与角色之间的共鸣,从而突出了妇女在隐形过程中所进行的斗争。
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“A vida invisível”: por entre cartas, corpos de mulheres e processos de subjetivação
This article explores female invisibilities by means of mails exchaged between two public university teachers. It is an aesthetic activity mediated by the notion of "self writing", proposed by Michel Foucault and by the film "The invisible life" by Karim Ainouz, script by Murilo Hauser; in which image, time, and movement happen through letters. Therefore, we used letters, as well as Guida’s writings for Euridice, in the referred film, in order to situate the reader about their importance in the trajectories of research on gender and sexuality as well as their close connection with the studies of subjectivity production. Its problematic – ethical, esthetic and political – articulates visual arts, gender relations, sexualities and education, as it resonates the correspondence between the two teachers with that of the character, thus highlighting the struggles waged by women in the disinvisibilization process.
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