{"title":"分析阿妮塔·德赛《城市之声》中所呈现的帝国主义影响下的文化矛盾身份和过渡阶段","authors":"H. Zubair, Nelofir Shaber, Iqra Khadam","doi":"10.18510/hssr.2020.8611","DOIUrl":null,"url":null,"abstract":"Purpose of the study: This research explores Anita Desai’s Voices in the City from the cultural ambivalence and cultural imperialism aspects. Anita Desai’s Voices in the City (1964) is about the story of an archetypal Indian protagonist Nirode and his family. \nMethodology: This research is qualitative. Theories presented by Homi K. Bhabha and K. R. Lyenger support this research study as a major theoretical framework. This research is based on textual analysis.It discusses the issues of the remains of colonization and the impact of British imperialism during the transitional phase of the socio-cultural and socio-political situation of Indian society that reflects the ambivalent identity of the protagonist and other characters as well. \nMain Findings: Nirode is a colonial subject who distinctly observes the city of Calcutta and tends to escape from such cultural tendencies of modern Indian cultures and British cultures which causes his identity ambivalent. Nirode’s position as a victim and resistant to both cultures, his subject is determined amidst the socio-cultural, socio-economic, and socio-political power relations played by both British and Indian institutional cultural values and practices of the transitional phase of Indian society that creates ambivalent identity in the life of the protagonist and other characters which happens around the city of Calcutta. \nApplications of the study: The research is a contribution to the existing theories on one hand and an explanation and impact of the cultural ambivalence and cultural imperialism on Indian literature and society as depicted in the novel. \nNovelty/Originality of the study: This research is novel as it investigates socio-cultural, socio-economic, and socio-political power relations played by both British and Indian institutional cultural values and practices of the transitional phase of Indian society that creates ambivalent identity in the life of the protagonist and other characters which happens around the city of Calcutta. The theoretical framework is taken from two different theories in order to draw more argumentative discussion.","PeriodicalId":415004,"journal":{"name":"Humanities & Social Sciences Reviews","volume":"42 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2020-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"ANALYZING CULTURAL AMBIVALENT IDENTITIES AND TRANSITIONAL PHASES UNDER THE INFLUENCE OF IMPERIALISM PRESENTED IN ANITA DESAI’S VOICES IN THE CITY\",\"authors\":\"H. Zubair, Nelofir Shaber, Iqra Khadam\",\"doi\":\"10.18510/hssr.2020.8611\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Purpose of the study: This research explores Anita Desai’s Voices in the City from the cultural ambivalence and cultural imperialism aspects. Anita Desai’s Voices in the City (1964) is about the story of an archetypal Indian protagonist Nirode and his family. \\nMethodology: This research is qualitative. Theories presented by Homi K. Bhabha and K. R. Lyenger support this research study as a major theoretical framework. This research is based on textual analysis.It discusses the issues of the remains of colonization and the impact of British imperialism during the transitional phase of the socio-cultural and socio-political situation of Indian society that reflects the ambivalent identity of the protagonist and other characters as well. \\nMain Findings: Nirode is a colonial subject who distinctly observes the city of Calcutta and tends to escape from such cultural tendencies of modern Indian cultures and British cultures which causes his identity ambivalent. Nirode’s position as a victim and resistant to both cultures, his subject is determined amidst the socio-cultural, socio-economic, and socio-political power relations played by both British and Indian institutional cultural values and practices of the transitional phase of Indian society that creates ambivalent identity in the life of the protagonist and other characters which happens around the city of Calcutta. \\nApplications of the study: The research is a contribution to the existing theories on one hand and an explanation and impact of the cultural ambivalence and cultural imperialism on Indian literature and society as depicted in the novel. \\nNovelty/Originality of the study: This research is novel as it investigates socio-cultural, socio-economic, and socio-political power relations played by both British and Indian institutional cultural values and practices of the transitional phase of Indian society that creates ambivalent identity in the life of the protagonist and other characters which happens around the city of Calcutta. 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引用次数: 0
摘要
研究目的:本研究从文化矛盾心理和文化帝国主义两个方面探讨安妮塔·德赛的《城市之声》。安妮塔·德赛的《城市之声》(1964)讲述了一个典型的印度主人公尼洛德和他的家人的故事。方法:本研究为定性研究。Homi K. Bhabha和K. R. Lyenger提出的理论为本研究提供了主要的理论框架。本研究基于文本分析。它讨论了殖民遗迹和英帝国主义在印度社会文化和社会政治形势过渡阶段的影响问题,反映了主人公和其他人物的矛盾身份。主要发现:Nirode是一个殖民主体,他鲜明地观察着加尔各答这座城市,并倾向于逃避现代印度文化和英国文化的这种文化倾向,这导致了他的身份矛盾。Nirode作为受害者的地位和对两种文化的抵抗,他的主题是在社会文化,社会经济和社会政治权力关系中决定的,这是由英国和印度的制度文化价值观和印度社会过渡阶段的实践所决定的,这在主人公和其他人物的生活中产生了矛盾的身份认同,这发生在加尔各答市周围。研究应用:本研究一方面是对现有理论的贡献,另一方面是对小说中所描述的文化矛盾心理和文化帝国主义对印度文学和社会的影响的解释和影响。研究的新颖性/原创性:这项研究是新颖的,因为它调查了社会文化、社会经济和社会政治权力关系,这些关系是由英国和印度的制度文化价值观和印度社会过渡阶段的实践所起的作用,这些价值观和实践在主人公和其他发生在加尔各答市周围的人物的生活中产生了矛盾的身份。本文的理论框架取自两种不同的理论,以引起更多的争论性讨论。
ANALYZING CULTURAL AMBIVALENT IDENTITIES AND TRANSITIONAL PHASES UNDER THE INFLUENCE OF IMPERIALISM PRESENTED IN ANITA DESAI’S VOICES IN THE CITY
Purpose of the study: This research explores Anita Desai’s Voices in the City from the cultural ambivalence and cultural imperialism aspects. Anita Desai’s Voices in the City (1964) is about the story of an archetypal Indian protagonist Nirode and his family.
Methodology: This research is qualitative. Theories presented by Homi K. Bhabha and K. R. Lyenger support this research study as a major theoretical framework. This research is based on textual analysis.It discusses the issues of the remains of colonization and the impact of British imperialism during the transitional phase of the socio-cultural and socio-political situation of Indian society that reflects the ambivalent identity of the protagonist and other characters as well.
Main Findings: Nirode is a colonial subject who distinctly observes the city of Calcutta and tends to escape from such cultural tendencies of modern Indian cultures and British cultures which causes his identity ambivalent. Nirode’s position as a victim and resistant to both cultures, his subject is determined amidst the socio-cultural, socio-economic, and socio-political power relations played by both British and Indian institutional cultural values and practices of the transitional phase of Indian society that creates ambivalent identity in the life of the protagonist and other characters which happens around the city of Calcutta.
Applications of the study: The research is a contribution to the existing theories on one hand and an explanation and impact of the cultural ambivalence and cultural imperialism on Indian literature and society as depicted in the novel.
Novelty/Originality of the study: This research is novel as it investigates socio-cultural, socio-economic, and socio-political power relations played by both British and Indian institutional cultural values and practices of the transitional phase of Indian society that creates ambivalent identity in the life of the protagonist and other characters which happens around the city of Calcutta. The theoretical framework is taken from two different theories in order to draw more argumentative discussion.