{"title":"恋物，拆除，废墟","authors":"Rodrigo Lopes de Barros","doi":"10.1525/aft.2020.473005","DOIUrl":null,"url":null,"abstract":"This article compares the video Reinforced Concrete (2012) by Lucas Ferraço Nassif, begun during Antje Ehmann and Harun Farocki's 2011 workshop-based project Labour in a Single Shot in Rio de Janeiro, and the performance Bustox (2014), which was carried out by the Brazilian experimental theater collective ERRO Grupo in Florianópolis. Each artwork can be read as an attempt to defetishize an idol of Brazilian capitalism, former billionaire Eike Batista. Moreover, Ehmann and Farocki's workshop can be seen as an attack on the process of fetishizing products of labor, fetishization being one of the main characteristics of capitalist society. Ehmann and Farocki's project, and consequently Nassif's video, are connected to the work of theoreticians such as Jacques Derrida and Giorgio Agamben concerning the themes of improvisation and profanation. The concept of the fetish is also revitalized by taking into consideration Latin American thinkers Fernando Ortiz and Osório César.","PeriodicalId":443446,"journal":{"name":"Comparative Technology Transfer and Society","volume":"67 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2020-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Fetish, Demolition, Ruins\",\"authors\":\"Rodrigo Lopes de Barros\",\"doi\":\"10.1525/aft.2020.473005\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This article compares the video Reinforced Concrete (2012) by Lucas Ferraço Nassif, begun during Antje Ehmann and Harun Farocki's 2011 workshop-based project Labour in a Single Shot in Rio de Janeiro, and the performance Bustox (2014), which was carried out by the Brazilian experimental theater collective ERRO Grupo in Florianópolis. Each artwork can be read as an attempt to defetishize an idol of Brazilian capitalism, former billionaire Eike Batista. Moreover, Ehmann and Farocki's workshop can be seen as an attack on the process of fetishizing products of labor, fetishization being one of the main characteristics of capitalist society. Ehmann and Farocki's project, and consequently Nassif's video, are connected to the work of theoreticians such as Jacques Derrida and Giorgio Agamben concerning the themes of improvisation and profanation. The concept of the fetish is also revitalized by taking into consideration Latin American thinkers Fernando Ortiz and Osório César.\",\"PeriodicalId\":443446,\"journal\":{\"name\":\"Comparative Technology Transfer and Society\",\"volume\":\"67 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2020-09-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Comparative Technology Transfer and Society\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1525/aft.2020.473005\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Comparative Technology Transfer and Society","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1525/aft.2020.473005","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
摘要
本文比较了Lucas ferrao Nassif的视频《钢筋混凝土》(2012)和巴西实验剧团ERRO Grupo在Florianópolis的表演《Bustox》(2014)。这两部作品是由Antje Ehmann和Harun Farocki于2011年在里约热内卢的工作坊项目《Labour in a Single Shot》中创作的。每件艺术品都可以被解读为对巴西资本主义偶像、前亿万富翁埃克·巴蒂斯塔(Eike Batista)的贬低。此外，埃曼和法罗基的工作坊可以被看作是对劳动产品的拜物教过程的攻击，拜物教是资本主义社会的主要特征之一。Ehmann和Farocki的项目，以及Nassif的视频，与雅克·德里达(Jacques Derrida)和乔治·阿甘本(Giorgio Agamben)等理论家关于即兴创作和亵渎主题的工作有关。由于拉丁美洲思想家费尔南多·奥尔蒂斯(Fernando Ortiz)和Osório csamar，恋物癖的概念也重新焕发了活力。
This article compares the video Reinforced Concrete (2012) by Lucas Ferraço Nassif, begun during Antje Ehmann and Harun Farocki's 2011 workshop-based project Labour in a Single Shot in Rio de Janeiro, and the performance Bustox (2014), which was carried out by the Brazilian experimental theater collective ERRO Grupo in Florianópolis. Each artwork can be read as an attempt to defetishize an idol of Brazilian capitalism, former billionaire Eike Batista. Moreover, Ehmann and Farocki's workshop can be seen as an attack on the process of fetishizing products of labor, fetishization being one of the main characteristics of capitalist society. Ehmann and Farocki's project, and consequently Nassif's video, are connected to the work of theoreticians such as Jacques Derrida and Giorgio Agamben concerning the themes of improvisation and profanation. The concept of the fetish is also revitalized by taking into consideration Latin American thinkers Fernando Ortiz and Osório César.
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