在西班牙解锁期间,Netflix在Twitter和Instagram上的传播策略是:幽默、亲近和信息

Erika Fernández Gómez, J. Martín-Quevedo, Beatriz Feijoo Fernández
{"title":"在西班牙解锁期间,Netflix在Twitter和Instagram上的传播策略是:幽默、亲近和信息","authors":"Erika Fernández Gómez, J. Martín-Quevedo, Beatriz Feijoo Fernández","doi":"10.15847/obsobs16320222054","DOIUrl":null,"url":null,"abstract":"The Covid-19 pandemic and the arrival of Disney + marked the second quarter of 2020 in the Spanish audiovisual market. Thus, the period of home confinement among the Spanish population coincided with the irruption of the new streaming service of one of the best-known and most loved brands worldwide. However, Netflix was the most consumed SVoD during this period. \nThe objective of this research is to find out what the Californian company has done in communicative terms as a market leader and in the face of the need to adapt to the new circumstances of its audiences. The results show how Netflix Spain has integrated COVID-19 in its social media strategy in the pass between the lockdown and maximum consumption to a progressive lessening of social restrictions. The content analysis of Twitter and Instagram found 121 messages regarding pandemic (from a total of 1380). Netflix employed Twitter to connect with its audiences with humor, proximity and information, using taboos in the hardest moments, and an increased frequency of publications as the health situation improved. On the contrary, on Instagram there was no specific strategy, but imitation of the practices on Twitter and scarce references to COVID. Besides, there has been an evolution of the messages more or less parallel to the public health changes, choosing a strategy of proximity with the users, and with a communication closer to an influencer rather than a company.","PeriodicalId":149155,"journal":{"name":"Observatorio (OBS*)","volume":null,"pages":null},"PeriodicalIF":0.0000,"publicationDate":"2022-09-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":"{\"title\":\"Netflix's communication strategy on Twitter and Instagram during the unlock in Spain: humour, proximity and information\",\"authors\":\"Erika Fernández Gómez, J. Martín-Quevedo, Beatriz Feijoo Fernández\",\"doi\":\"10.15847/obsobs16320222054\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The Covid-19 pandemic and the arrival of Disney + marked the second quarter of 2020 in the Spanish audiovisual market. Thus, the period of home confinement among the Spanish population coincided with the irruption of the new streaming service of one of the best-known and most loved brands worldwide. However, Netflix was the most consumed SVoD during this period. \\nThe objective of this research is to find out what the Californian company has done in communicative terms as a market leader and in the face of the need to adapt to the new circumstances of its audiences. The results show how Netflix Spain has integrated COVID-19 in its social media strategy in the pass between the lockdown and maximum consumption to a progressive lessening of social restrictions. The content analysis of Twitter and Instagram found 121 messages regarding pandemic (from a total of 1380). Netflix employed Twitter to connect with its audiences with humor, proximity and information, using taboos in the hardest moments, and an increased frequency of publications as the health situation improved. On the contrary, on Instagram there was no specific strategy, but imitation of the practices on Twitter and scarce references to COVID. Besides, there has been an evolution of the messages more or less parallel to the public health changes, choosing a strategy of proximity with the users, and with a communication closer to an influencer rather than a company.\",\"PeriodicalId\":149155,\"journal\":{\"name\":\"Observatorio (OBS*)\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2022-09-30\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"1\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Observatorio (OBS*)\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.15847/obsobs16320222054\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Observatorio (OBS*)","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.15847/obsobs16320222054","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 1

摘要

2019冠状病毒病大流行和迪士尼+的到来标志着2020年第二季度西班牙视听市场的到来。因此,在西班牙人的居家隔离时期,恰逢全球最知名、最受欢迎的品牌之一的新流媒体服务的爆发。然而,在此期间,Netflix是消费最多的SVoD。这项研究的目的是找出加州公司在沟通方面做了什么作为市场领导者,面对需要适应其受众的新情况。结果显示,在封锁和最大消费之间的过渡阶段,Netflix西班牙公司如何将COVID-19纳入其社交媒体战略,逐步减少社交限制。对推特和Instagram的内容分析发现了121条与大流行有关的信息(总共有1380条)。Netflix利用Twitter以幽默、亲近和信息与观众建立联系,在最困难的时刻使用禁忌,并随着健康状况的改善而增加发布频率。相反,Instagram上没有具体的策略,只是模仿Twitter上的做法,很少提及COVID。此外,信息的演变或多或少与公共卫生的变化平行,选择了与用户接近的策略,并且与影响者而不是公司更接近。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
查看原文
分享 分享
微信好友 朋友圈 QQ好友 复制链接
本刊更多论文
Netflix's communication strategy on Twitter and Instagram during the unlock in Spain: humour, proximity and information
The Covid-19 pandemic and the arrival of Disney + marked the second quarter of 2020 in the Spanish audiovisual market. Thus, the period of home confinement among the Spanish population coincided with the irruption of the new streaming service of one of the best-known and most loved brands worldwide. However, Netflix was the most consumed SVoD during this period. The objective of this research is to find out what the Californian company has done in communicative terms as a market leader and in the face of the need to adapt to the new circumstances of its audiences. The results show how Netflix Spain has integrated COVID-19 in its social media strategy in the pass between the lockdown and maximum consumption to a progressive lessening of social restrictions. The content analysis of Twitter and Instagram found 121 messages regarding pandemic (from a total of 1380). Netflix employed Twitter to connect with its audiences with humor, proximity and information, using taboos in the hardest moments, and an increased frequency of publications as the health situation improved. On the contrary, on Instagram there was no specific strategy, but imitation of the practices on Twitter and scarce references to COVID. Besides, there has been an evolution of the messages more or less parallel to the public health changes, choosing a strategy of proximity with the users, and with a communication closer to an influencer rather than a company.
求助全文
通过发布文献求助,成功后即可免费获取论文全文。 去求助
来源期刊
自引率
0.00%
发文量
0
期刊最新文献
How is Portugal addressing disinformation? Results of a mapping of initiatives (2010-2023) Decoding algorithmic literacy among journalists Perceptions of University Students in Communication about Disinformation: Special Issue (2024) Media Literacy to Tackle Disinformation A taxonomy for Media Literacy in Portugal
×
引用
GB/T 7714-2015
复制
MLA
复制
APA
复制
导出至
BibTeX EndNote RefMan NoteFirst NoteExpress
×
×
提示
您的信息不完整,为了账户安全,请先补充。
现在去补充
×
提示
您因"违规操作"
具体请查看互助需知
我知道了
×
提示
现在去查看 取消
×
提示
确定
0
微信
客服QQ
Book学术公众号 扫码关注我们
反馈
×
意见反馈
请填写您的意见或建议
请填写您的手机或邮箱
已复制链接
已复制链接
快去分享给好友吧!
我知道了
×
扫码分享
扫码分享
Book学术官方微信
Book学术文献互助
Book学术文献互助群
群 号:481959085
Book学术
文献互助 智能选刊 最新文献 互助须知 联系我们:info@booksci.cn
Book学术提供免费学术资源搜索服务,方便国内外学者检索中英文文献。致力于提供最便捷和优质的服务体验。
Copyright © 2023 Book学术 All rights reserved.
ghs 京公网安备 11010802042870号 京ICP备2023020795号-1