自传空间中的足球:对尼克·霍恩比作品的分析

Natasha Santos-Lise
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引用次数: 0

摘要

目前的研究旨在讨论足球,从尼克霍恩比的作品,如收藏我最喜欢的一年(1993),祈祷(2012)和球迷邮件(2013)。还使用了1993年至1995年期间在《独立报》上发表的一些文本。目的是确定断裂和/或连续性在自传Fever Pitch,无论是在写作或内容。为此,我们从Antonio Candido提出的文本和语境的角度,以及Philippe Lejeune定义的“自传体空间”的概念,寻求方法上的支持。通过对霍恩比作品的分析可以看出,对足球的处理有三种截然不同的含义:记忆、逼真和新闻。
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O FUTEBOL NO ESPAÇO AUTOBIOGRÁFICO: UMA ANÁLISE DAS OBRAS DE NICK HORNBY
The present research aims to discuss football, from Nick Hornby productions, such as the collections My Favorite Year (1993), Pray (2012) and Fan Mail (2013). Some texts published in The Independent between 1993 and 1995 were also used. The objective was to identify ruptures and / or continuities in autobiography Fever Pitch , whether in writing or in content. For this, we sought to support methodologically in the perspective of text and context, developed by Antonio Candido, as well as in the concept of “autobiographical space”, defined by Philippe Lejeune. It can be seen that the treatment of football, according to the analysis of Hornby’s works, has three distinct meanings: memory, verisimilitude and news.
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