透过电影学习:英语教师及职前教师工作坊的经验教训

K. McDermott, Carmel Hinchion, Alicia McGivern, D. Meade
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引用次数: 1

摘要

作者:麦克德莫特,凯文;Hinchion迦密;麦克基维,艾丽西亚;摘要:本文回顾了自1998年爱尔兰将电影纳入英语教学大纲以来,为支持英语教师进行电影教学而提供的专业发展。它关注三个相互关联的要素:对电影的解读或阅读;支持这种解释的教育学;通过叙事电影探索社会正义和自我-他者关系问题的潜力。本文概述了教师专业发展的四个不同阶段,并分享了新发现。第一阶段是介绍电影,并在教师教育讲习班中为离校证书英语教师开放讨论和创建解释性社区。第二个是在为过渡年教师设计的工作坊中探索电影类型。第三项研究涉及在一系列针对初中英语教师的研讨会中,发展对话形式的教学法来解释电影。第四项是在一系列为职前教师举办的教育学士和教育硕士课程讲习班上,利用电影探讨教育促进正义。本文探讨了叙事电影文本、生成性问题、深思熟虑的解释之间的联系,以及在观看和解释叙事电影的专业发展研讨会中给予对话和问答运动的价值。这篇文章本身就是民族志(Holman Jones 2005;Ellis et al. 2010)。它包括自我报告、对实践的描述和对实践的反思。
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Learning through Film: Lessons from Workshops for Teachers and Pre-service Teachers of English
Author(s): McDermott, Kevin; Hinchion, Carmel; McGivern, Alicia; Meade, Della | Abstract: This article looks back on the professional development offered to teachers of English to support them in their teaching of film since the introduction of film into the English syllabus in Ireland in 1998. It focuses on three inter-related elements: the interpretation or reading of film; the pedagogy that supports this interpretation; the potential of exploring issues of social justice and the self-other relation through narrative films. The article outlines four distinct phases in the professional development offered to teachers and shares the emerging findings. The first phase involved the introduction of film and its use in opening up discussion and creating interpretative communities in teacher education workshops for teachers of Leaving Certificate English. The second involved an exploration of film genre in workshops designed for teachers of Transition Year. The third involved the development of a dialogic form of pedagogy in interpreting film in a series of workshops directed at teachers of Junior Cycle English. The fourth involved the use of film in exploring education for justice in a series of workshops for pre-service teachers on Bachelor of Education and Master of Education programmes. The article explores the link among narrative film texts, generative questions, thoughtful interpretation, and the value given to dialog and the movement of question and answer in professional development workshops where narrative films are viewed and interpreted. The article is autoethnographic in character (Holman Jones 2005; Ellis et al. 2010). It involves self-reporting, descriptions of practice and reflection on that practice.
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