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摘要

博学多才,eug - emmanuel Viollet-le Duc(生于1814 - 1814年)1879年),作为哥特式风格的修复建筑师和冠军而闻名于世,其关于形式和功能的有影响力的理论著作被收集在十卷本的《建筑基础词典》中(大致翻译为《建筑基础》;1854年至1868年)和两卷本的《建筑讲座》(1863年至1872年)对维克多·奥尔塔、安东尼Gaudí、路易斯·沙利文和弗兰克·劳埃德·赖特等现代建筑师产生了深远的影响。作为一名独立的思想家,他拒绝走法国传统的正统建筑道路——在École des beaux -美术学院接受培训——这位才华横溢的制图员利用他的个人和家庭关系——包括普罗斯普·姆萨梅、卢多维奇·维特、泰勒男爵、让-雅克-玛丽·胡弗莱和让-巴普提斯特·拉苏斯——获得知识、培训和佣金,这些将使他成为19世纪法国杰出的纪念碑修复者。20世纪,他因过于积极地介入著名的修复工程而备受批评,比如vsamzzelay的玛德琳教堂、巴黎圣母院大教堂和卡尔卡松的城墙,档案资料的增加使21世纪的学者能够重新评估他的整个作品,将他的大量著作和信件与他那个时代的知识、文化和行政环境相对照。在这一时期,维奥莱-勒-杜克和其他自学成才的专家奠定了中世纪研究学术领域的基础。他的修复理论和影响在他死后得到了很好的研究,但他的许多补充活动,特别是他为大众普及建筑和历史的大量尝试,尚未以任何语言系统地探索。维奥莱-勒-杜克不仅是最早的历史保护主义者之一,他还是一位才华横溢的绘图员、考古学家、建筑师、工程师、公共行政人员、教师、戏剧布景设计师、国际博览会组织者、市议员、记者、儿童书籍作家、军事战略家和生态学家。
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Eugène-Emmanuel Viollet-le-Duc
A polymath, Eugène-Emmanuel Viollet-le Duc (b. 1814–d. 1879), is best-known today as a restoration architect and champion of the Gothic style whose influential theoretical writings on form and function collected in the ten-volume Dictionnaire raisonné de l’architecture française du XIe au XVIe siècle (translated loosely as The Foundations of Architecture; 1854–1868) and the two-volume Entretiens sur l’architecture (Lectures on Architecture, 1863–1872) exerted a profound influence on modern architects such as Victor Horta, Antoni Gaudí, Louis Sullivan, and Frank Lloyd Wright. An independent thinker who refused the normal French path to architectural legitimacy—training at the École des Beaux-Arts—the talented draftsman took advantage of his personal and family connections—including Prosper Mérimée, Ludovic Vitet, Baron Taylor, Jean-Jacques-Marie Huvé, and Jean-Baptiste Lassus—to obtain the knowledge, training, and commissions that would transform him into the preeminent 19th-century French restorer of monuments. Much criticized in the 20th century for having intervened too aggressively in well-known restoration projects such as the Church of the Madeleine at Vézelay, the cathedral of Notre-Dame de Paris, and the walled city of Carcassonne, the increased accessibility of archival sources has allowed 21st-century scholars to reassess his entire body of work, setting his voluminous writings and correspondence against the intellectual, cultural, and administrative context of his time, a period in which Viollet-le-Duc and other self-trained specialists laid the foundation of what would become the academic field of medieval studies. His restoration theories and influence have been well studied since his death, but his many complementary activities, particularly his prolific attempts to popularize architecture and history for the masses, have yet to be systematically explored in any language. Viollet-le-Duc was not just one of the first historic preservationists, he was also a talented draftsman, archaeologist, architect, engineer, public administrator, teacher, theatrical set designer, international exposition organizer, city councilor, journalist, children’s book writer, military strategist, and ecologist.
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