希尼离岸

Nicholas Allen
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引用次数: 0

摘要

本章将阅读谢默斯·希尼在他的诗歌中对水、流动性、海岸和海岸线的关注。谢默斯·希尼(Seamus Heaney)作为莫斯巴恩(Mossbawn)及其延伸的围墙的获奖者是如此的熟悉,以至于他的诗歌似乎不可能从当地根除。北方乡村滋养了他的想象力,但也常常困扰着他,它是诗人对家庭、社区乃至民族观念的主要隐喻。在所有这一切中,希尼作品中被忽视的是另一个元素,那就是把水作为一种媒介来想象其他种类的人类联系。水是贯穿希尼作品的关键形象,以河流、溪流、沼泽、湖泊和海洋的形式呈现;一开始,它就像从农家院子的水泵里滴下来的一滴水,最后,它又出现在尼厄湖的鳗鱼渔业中,这是本章在仔细阅读他的诗歌时所讨论的。
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Heaney Offshore
This chapter reads Seamus Heaney’s engagement with water, liquidity, and shore and coastlines throughout his poetry. Seamus Heaney is so familiar as the laureate of Mossbawn and its extended enclosures that his poetry seems impossible to uproot from its locality. The northern countryside that nourished, and often troubled, his imagination is a dominant metaphor for the poet’s ideas of family, community and, by extension, nationality. Under-observed in all this is another element in Heaney’s writing, which is the use of water as a medium to imagine other kinds of human association. Water is a key image throughout Heaney’s work in the form of rivers, streams, bogs, lakes, and oceans; it is there at the beginning as a drip from the farmyard pump, and there again at the end in the eel fishery at Lough Neagh, as this chapter discusses in close readings of his poems.
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Conclusion Heaney Offshore Coastal Joyce Kevin Barry’s Atlantic Drift
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