{"title":"社交媒体和古典音乐?PHENICX项目的首次分析:“作为高度丰富和互动的音乐会体验的表演”","authors":"M. Schedl","doi":"10.1145/2632188.2632213","DOIUrl":null,"url":null,"abstract":"In the ongoing EU-FP7 project \"Performances as Highly Enriched aNd Interactive Concert eXperiences\" (PHENICX), one aim is to make Classical music appealing to new audiences, not at least the typically younger generation of social media users. In the context of the \"Social Media Retrieval and Analysis\" (SoMeRA) workshop, this paper sheds light on the use of two social media platforms (Last.fm and Twitter) by fans of Classical music.","PeriodicalId":178656,"journal":{"name":"Proceedings of the first international workshop on Social media retrieval and analysis","volume":"26 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2014-07-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Social media and classical music?: a first analysis within the PHENICX project: \\\"performances as highly enriched aNd interactive concert eXperiences\\\"\",\"authors\":\"M. Schedl\",\"doi\":\"10.1145/2632188.2632213\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"In the ongoing EU-FP7 project \\\"Performances as Highly Enriched aNd Interactive Concert eXperiences\\\" (PHENICX), one aim is to make Classical music appealing to new audiences, not at least the typically younger generation of social media users. In the context of the \\\"Social Media Retrieval and Analysis\\\" (SoMeRA) workshop, this paper sheds light on the use of two social media platforms (Last.fm and Twitter) by fans of Classical music.\",\"PeriodicalId\":178656,\"journal\":{\"name\":\"Proceedings of the first international workshop on Social media retrieval and analysis\",\"volume\":\"26 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2014-07-11\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Proceedings of the first international workshop on Social media retrieval and analysis\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1145/2632188.2632213\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Proceedings of the first international workshop on Social media retrieval and analysis","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1145/2632188.2632213","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
Social media and classical music?: a first analysis within the PHENICX project: "performances as highly enriched aNd interactive concert eXperiences"
In the ongoing EU-FP7 project "Performances as Highly Enriched aNd Interactive Concert eXperiences" (PHENICX), one aim is to make Classical music appealing to new audiences, not at least the typically younger generation of social media users. In the context of the "Social Media Retrieval and Analysis" (SoMeRA) workshop, this paper sheds light on the use of two social media platforms (Last.fm and Twitter) by fans of Classical music.
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