叶夫根尼·扎米亚京的心理小说《我们》:主人公的变化与双重主题

Joonil Moon
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摘要

本文试图用一种新的阅读方法来解读叶夫根尼·扎米亚京的《我们》,这是一部只被评价为乌托邦文学和反乌托邦文学的作品。就体裁而言,这部作品是一个非常复杂而有趣的文本现象。在《We》中,类型实验被发挥到了极致。如果你戴着乌托邦的外衣仔细观察,你会发现爱情小说、冒险小说和心理小说的类型元素是有机地相互交织在一起的,它们的结构最终会导致一部哲学小说。因此,体裁结构解读的拓展和深化为《我们》的解读提供了决定性的时刻。究其原因,这篇文章并不是几个类型元素的简单组合,而是具有有机的复杂类型结构,只有运用各种类型结构的框架才能对这篇文章进行深入解读。这里的重点在于,不同类型之间的相互关系并不是平行的,而是有机地从一种类型中引出另一种类型。《我们》作为一种复杂的体裁,其最基本的体裁结构是元小说体裁。《我们》是一部关于写小说的小说,这一体裁的特点决定了这部作品的基本叙事结构。然而,在史诗的创作过程中,主人公发生了意想不到的转变,即从数学家变成了诗人。这一转变过程造成了主人公的本体论困惑,并伴随着心理上的躁动和痛苦。而主人公的心理困惑是小说的主要推动力。这种困惑的文学表达出现在另一个自我的主题中。在主位中,各种轻母题来表现主人公的困惑,构成了语义结构。本文旨在通过对《我们》中复杂的心理小说手段进行分类,来识别这部作品的深层语义结构。
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Evgeny Zamyatin’s We as Psychological Novel: Change of Protagonist and the Theme of Double
This thesis is an attempt to interpret Evgeny Zamyatin’s We, which was evaluated only as utopian literature and dystopian literature, with a new reading method. In terms of genre, this work is a text of a very complex and interesting phenomenon. In We, genre experimentation is done to the extreme. Wearing a utopia envelope, if you look closely, the genre elements of love novels, adventure novels, and psychological novels are organically intertwined with each other, and they have a structure that ultimately leads to a philosophical novel. Therefore, the expansion and deepening of the genre structure interpretation provides decisive moments in the interpretation of We. The reason is that this text is not simply a combination of several genre elements, but has an organic complex genre structure that allows in-depth interpretation of this text only by applying the framework of various genre structures. The important point in this context is that the interrelationships between genres do not proceed in parallel within this text, but rather organically as one genre flows out of another. The most basic genre structure in We as such a complex genre is the metafiction genre. We is a novel about writing novels, and the characteristic of this genre determines the basic narrative structure of this work. However, in the process of creating an epic poem, an unexpected transformation of the protagonist, that is, from a mathematician to a poet, occurs. This transformation process causes the main character’s ontological confusion and is accompanied by psychological agitation and pain. And the psychological confusion of the protagonist is now the main driving force for the novel. The literary expression of the confusion appears in the theme of the alter ego. And in the theme, various light motifs to represent the confusion of the main character constitute the semantic structure. This thesis aims to identify the in-depth semantic structure of this work by classifying the complex psychological novel devices in We.
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