温和现代主义是阿尔弗雷多·卡塞拉作品中的第三条道路

New Sound Pub Date : 1900-01-01 DOI:10.5937/newso2055047s
Maša Spaić
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引用次数: 0

摘要

艺术家的作品与社会、政治和意识形态有关,这些都是艺术作品创作背景的重要方面。当我们考虑新古典主义时,艺术/音乐与社会/政治之间的多层关系尤其明显。在二战后的几十年里,新古典主义在文学中被定义为为统治(极权主义)政权服务的风格运动。因此,新古典主义作品的作者被批评为回归传统和秩序,他们的作品减少了表达手段。其中,意大利作曲家阿尔弗雷多·卡塞拉(Alfredo Casella)的名字尤为突出,他的作品因涉嫌符合政权的审美要求而受到批评。从新古典主义是现代主义运动的假设出发,我将在温和现代主义的背景下研究卡塞拉作品的第三个时期,作为政权的审美要求和作曲家早期特征的现代主义表达之间的第三条道路。
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Moderate modernism as the third way in the opus of Alfredo Casella
The work of an artist is related to society, politics, and ideology, which are important aspects of the context in which the work of art is created. The multi-layered relationship between art/music and society/politics can especially be seen when we consider neoclassicism, which was for decades after the Second World War in literature defined as a stylistic movement in the service of the ruling (totalitarian) regimes. Consequently, authors of neoclassical works were criticised for returning to tradition and order, and their works for reducing expressive means. Among them, the name of Italian composer Alfredo Casella stands out, whose works were criticised because of their alleged coherence with the aesthetic requirements of the regime. Starting from the hypothesis that neoclassicism is a modernist movement, I will examine the third period of Casella's work in the context of moderate modernism, as a third way between the aesthetic requirements of the regime and modernistic expression that was characteristic of the composers' earlier period.
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