{"title":"《新骑士:法国极右翼对中世纪的看法》","authors":"Stéphane François","doi":"10.53483/vcht2524","DOIUrl":null,"url":null,"abstract":"The far right has always taken an interest in the Middle Ages. For the French revolutionary far right, which shares an ideological matrix influenced by Julius Evola, fascination with the Middle Ages revolves around the image of the Holy Germanic Roman Empire as a political model for Europe opposed to the modern nation-state. The romantic image of the medieval knight also offers a watered-down way to celebrate and legitimize violence without having to allude to a taboo National Socialism. This obsession with the Middle Ages contrasts with the reality that these revolutionary far-right movements were rather pro-Arab during the Cold War decades. This shift reveals the transformation of their thinking and the new dominance of the Identitarian notion of ethnic withdrawal, with the knight as the symbol of a pure racial warrior defending his society against Muslim invasion.","PeriodicalId":370884,"journal":{"name":"Journal of Illiberalism Studies","volume":"2 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"The New Knight: The French Far Right’s View of the Middle Ages\",\"authors\":\"Stéphane François\",\"doi\":\"10.53483/vcht2524\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The far right has always taken an interest in the Middle Ages. For the French revolutionary far right, which shares an ideological matrix influenced by Julius Evola, fascination with the Middle Ages revolves around the image of the Holy Germanic Roman Empire as a political model for Europe opposed to the modern nation-state. The romantic image of the medieval knight also offers a watered-down way to celebrate and legitimize violence without having to allude to a taboo National Socialism. This obsession with the Middle Ages contrasts with the reality that these revolutionary far-right movements were rather pro-Arab during the Cold War decades. This shift reveals the transformation of their thinking and the new dominance of the Identitarian notion of ethnic withdrawal, with the knight as the symbol of a pure racial warrior defending his society against Muslim invasion.\",\"PeriodicalId\":370884,\"journal\":{\"name\":\"Journal of Illiberalism Studies\",\"volume\":\"2 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"1900-01-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Journal of Illiberalism Studies\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.53483/vcht2524\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Journal of Illiberalism Studies","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.53483/vcht2524","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
摘要
极右翼一直对中世纪很感兴趣。法国革命的极右翼受到朱利叶斯·埃沃拉(Julius Evola)的共同意识形态影响,他们对中世纪的迷恋围绕着神圣的日耳曼罗马帝国(Holy Germanic Roman Empire)作为欧洲反对现代民族国家的政治模式的形象。中世纪骑士的浪漫形象也提供了一种淡化的方式来庆祝和合法化暴力,而不必暗指禁忌的国家社会主义。这种对中世纪的痴迷与这些革命极右翼运动在冷战时期相当亲阿拉伯的现实形成了鲜明对比。这种转变揭示了他们思想的转变,以及种族退出的身份主义概念的新主导地位,骑士作为一个纯粹的种族战士的象征,捍卫他的社会不受穆斯林入侵。
The New Knight: The French Far Right’s View of the Middle Ages
The far right has always taken an interest in the Middle Ages. For the French revolutionary far right, which shares an ideological matrix influenced by Julius Evola, fascination with the Middle Ages revolves around the image of the Holy Germanic Roman Empire as a political model for Europe opposed to the modern nation-state. The romantic image of the medieval knight also offers a watered-down way to celebrate and legitimize violence without having to allude to a taboo National Socialism. This obsession with the Middle Ages contrasts with the reality that these revolutionary far-right movements were rather pro-Arab during the Cold War decades. This shift reveals the transformation of their thinking and the new dominance of the Identitarian notion of ethnic withdrawal, with the knight as the symbol of a pure racial warrior defending his society against Muslim invasion.