复调音乐中乐器存在的概率表示

Tetsuro Kitahara, Masataka Goto, Kazunori Komatani, T. Ogata, HIroshi G. Okuno
{"title":"复调音乐中乐器存在的概率表示","authors":"Tetsuro Kitahara, Masataka Goto, Kazunori Komatani, T. Ogata, HIroshi G. Okuno","doi":"10.2197/IPSJDC.3.1","DOIUrl":null,"url":null,"abstract":"This paper presents a new technique for recognizing musical instruments in polyphonic music. Since conventional musical instrument recognition in polyphonic music is performed notewise, i.e., for each note, accurate estimation of the onset time and fundamental frequency (F0) of each note is required. However, these estimations are generally not easy in polyphonic music, and thus estimation errors severely deteriorated the recognition performance. Without these estimations, our technique calculates the temporal trajectory of instrument existence probabilities for every possible F0. The instrument existence probability is defined as the product of a nonspecific instrument existence probability calculated using the PreFEst and a conditional instrument existence probability calculated using hidden Markov models. The instrument existence probability is visualized as a spectrogram-like graphical representation called the instrogram and is applied to MPEG-7 annotation and instrumentation-similaritybased music information retrieval. Experimental results from both synthesized music and real performance recordings have shown that instrograms achieved MPEG-7 annotation (instrument identification) with a precision rate of 87.5% for synthesized music and 69.4% for real performances on average and that the instrumentation similarity measure reflected the actual instrumentation better than an MFCC-based measure.","PeriodicalId":432390,"journal":{"name":"Ipsj Digital Courier","volume":"54 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2007-01-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"21","resultStr":"{\"title\":\"Instrogram: Probabilistic Representation of Instrument Existence for Polyphonic Music\",\"authors\":\"Tetsuro Kitahara, Masataka Goto, Kazunori Komatani, T. Ogata, HIroshi G. Okuno\",\"doi\":\"10.2197/IPSJDC.3.1\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This paper presents a new technique for recognizing musical instruments in polyphonic music. Since conventional musical instrument recognition in polyphonic music is performed notewise, i.e., for each note, accurate estimation of the onset time and fundamental frequency (F0) of each note is required. However, these estimations are generally not easy in polyphonic music, and thus estimation errors severely deteriorated the recognition performance. Without these estimations, our technique calculates the temporal trajectory of instrument existence probabilities for every possible F0. The instrument existence probability is defined as the product of a nonspecific instrument existence probability calculated using the PreFEst and a conditional instrument existence probability calculated using hidden Markov models. The instrument existence probability is visualized as a spectrogram-like graphical representation called the instrogram and is applied to MPEG-7 annotation and instrumentation-similaritybased music information retrieval. Experimental results from both synthesized music and real performance recordings have shown that instrograms achieved MPEG-7 annotation (instrument identification) with a precision rate of 87.5% for synthesized music and 69.4% for real performances on average and that the instrumentation similarity measure reflected the actual instrumentation better than an MFCC-based measure.\",\"PeriodicalId\":432390,\"journal\":{\"name\":\"Ipsj Digital Courier\",\"volume\":\"54 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2007-01-15\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"21\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Ipsj Digital Courier\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.2197/IPSJDC.3.1\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Ipsj Digital Courier","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.2197/IPSJDC.3.1","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 21

摘要

本文提出了一种新的复调音乐中乐器识别技术。由于复调音乐中传统的乐器识别是按音符进行的,即对于每个音符,需要准确估计每个音符的起始时间和基频(F0)。然而,在复调音乐中,这些估计通常不容易实现,因此估计误差严重影响了识别性能。没有这些估计,我们的技术计算每一个可能的F0的仪器存在概率的时间轨迹。仪器存在概率定义为使用pretest计算的非特定仪器存在概率与使用隐马尔可夫模型计算的条件仪器存在概率的乘积。将乐器存在概率可视化为类似谱图的图形表示形式,称为ins,并应用于MPEG-7注释和基于乐器相似度的音乐信息检索。合成音乐和真实演奏录音的实验结果表明,ins实现了MPEG-7标注(乐器识别),合成音乐的平均准确率为87.5%,真实演奏的平均准确率为69.4%,乐器相似度度量比基于mfc的度量更能反映实际乐器。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
查看原文
分享 分享
微信好友 朋友圈 QQ好友 复制链接
本刊更多论文
Instrogram: Probabilistic Representation of Instrument Existence for Polyphonic Music
This paper presents a new technique for recognizing musical instruments in polyphonic music. Since conventional musical instrument recognition in polyphonic music is performed notewise, i.e., for each note, accurate estimation of the onset time and fundamental frequency (F0) of each note is required. However, these estimations are generally not easy in polyphonic music, and thus estimation errors severely deteriorated the recognition performance. Without these estimations, our technique calculates the temporal trajectory of instrument existence probabilities for every possible F0. The instrument existence probability is defined as the product of a nonspecific instrument existence probability calculated using the PreFEst and a conditional instrument existence probability calculated using hidden Markov models. The instrument existence probability is visualized as a spectrogram-like graphical representation called the instrogram and is applied to MPEG-7 annotation and instrumentation-similaritybased music information retrieval. Experimental results from both synthesized music and real performance recordings have shown that instrograms achieved MPEG-7 annotation (instrument identification) with a precision rate of 87.5% for synthesized music and 69.4% for real performances on average and that the instrumentation similarity measure reflected the actual instrumentation better than an MFCC-based measure.
求助全文
通过发布文献求助,成功后即可免费获取论文全文。 去求助
来源期刊
自引率
0.00%
发文量
0
期刊最新文献
A Distributed-Processing System for Accelerating Biological Research Using Data-Staging A Type System for Dynamic Delimited Continuations A Combination Method of the Tanimoto Coefficient and Proximity Measure of Random Forest for Compound Activity Prediction Peer-to-Peer Multimedia Streaming with Guaranteed QoS for Future Real-time Applications A Benchmark Tool for Network I/O Management Architectures
×
引用
GB/T 7714-2015
复制
MLA
复制
APA
复制
导出至
BibTeX EndNote RefMan NoteFirst NoteExpress
×
×
提示
您的信息不完整,为了账户安全,请先补充。
现在去补充
×
提示
您因"违规操作"
具体请查看互助需知
我知道了
×
提示
现在去查看 取消
×
提示
确定
0
微信
客服QQ
Book学术公众号 扫码关注我们
反馈
×
意见反馈
请填写您的意见或建议
请填写您的手机或邮箱
已复制链接
已复制链接
快去分享给好友吧!
我知道了
×
扫码分享
扫码分享
Book学术官方微信
Book学术文献互助
Book学术文献互助群
群 号:481959085
Book学术
文献互助 智能选刊 最新文献 互助须知 联系我们:info@booksci.cn
Book学术提供免费学术资源搜索服务,方便国内外学者检索中英文文献。致力于提供最便捷和优质的服务体验。
Copyright © 2023 Book学术 All rights reserved.
ghs 京公网安备 11010802042870号 京ICP备2023020795号-1