图像的物化:来自Fraga dos Corvos栖息地的“锚形”或“锚形偶像”(?)的LBA/EIA金属表现(Trás-os-Montes,葡萄牙东部)

J. C. Senna-Martinez, E. Luís, Carlos Mendes, P. Valério, M. Araújo, A. Soares
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引用次数: 0

摘要

在葡萄牙北部的LBA/EIA背景下记录的金属人工制品,可能是所谓的西南青铜器时代“锚形”或“锚形偶像”的最早已知材料代表之一。该人工制品来自于Fraga dos Corvos (Macedo de Cavaleiros,北葡萄牙布拉干帕拉)山顶定居点的侵入性LBA/EIA背景下的MBA水平。它是由一种三重青铜合金(Cu-Sn-Pb)制成的,因此整合了目前已知的令人印象深刻的Fraga dos Corvos青铜器收藏,这些青铜器的归属,无论是类型学还是化学成分,都应该主要在伊比利亚半岛西南部寻找。考虑到它在时间和地理上远离其文化来源,讨论了在这个考古遗址中存在这种人工制品的意义。
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The materialization of an iconography: a LBA/EIA metallic representation of an “anchoriform” or “anchor idol” (?) from the Fraga dos Corvos habitat site (Eastern Trás-os-Montes, Portugal)
A metallic artefact recorded in a LBA/EIA context in Northern Portugal, which can be one of the first known material representations of the so-called Southwestern Bronze Age “anchoriform” or “anchor idol”, is presented. The artefact comes from an intrusive LBA/EIA context into a MBA level at the hilltop settlement of Fraga dos Corvos (Macedo de Cavaleiros, Bragança, Northern Portugal). It is made of a ternary bronze alloy (Cu-Sn-Pb), consequently integrating the impressive Fraga dos Corvos collection of bronze artefacts currently known, whose affiliation, whether typological or in terms of chemical composition, should be mostly sought in Southwestern Iberian Peninsula. The significance of the presence of such artefact in this archaeological site is discussed, taking into account that it is chronologically and geographically far away from its cultural source. 
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