The Cognitive Neuroscience of Aesthetic Experience

In the paper discussed in this chapter, the authors aimed to develop a consensus conceptual framework for neuroaesthetics. They wanted to present a joint vision of what they believed neuroaesthetics was about. The authors aspired to outline the fields’ aims and scope in a way that would accommodate most researchers, to answer some of the criticisms that had been leveled at the field, and to show how much the field could contribute to scientific disciplines, like psychology and neuroscience, and to humanist disciplines, like philosophy, the arts, and anthropology. One of the main points made was the importance of distinguishing between a cognitive neuroscience of aesthetics concerned with the biological mechanisms involved in aesthetic experience of all sorts of domains (not just art) and a cognitive neuroscience of art, which investigates the biological mechanisms involved in creating and appreciating art (not just aesthetically).