通过停电诗歌与历史上被边缘化的声音接触

Miguel Gómez
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摘要

目的:本文旨在提供教学方法,以便在社会研究课堂中使用停电诗歌和原始资料来了解历史上被边缘化的声音。停电诗歌为学生提供了真正的机会,让他们利用第一手资料和边缘化的声音,参与有意义的学习体验,这些经历既可以亲身实践,又可以促进批判性思维的使用。设计/方法/方法本文选择描述一种方法,通过使用第一手资料和停电诗歌来教授学生关于历史上被边缘化的声音。通过附带的表格提供了一步一步的指导,以便读者可以在自己的教室中重新创建课程。本文提供了关于如何使用停电诗歌为学生提供原始来源和历史边缘化声音的真实体验的见解。这些经历包括通过个人和合作学习机会批判性地思考这些边缘化声音的背景和意义以及边缘化声音对历史的影响。实践意义本论文旨在供教师在自己的社会研究课堂上使用和复制。本文为教师提供了详细的步骤,说明教师如何在教师的社会研究教学中放大传统边缘化的声音。原创性/价值本文认识到第一手资料在社会研究课堂中的重要作用,以及边缘化声音在作者的社会研究课堂中具有历史代表性的作用。作者以一种新颖的方式,运用黑幕诗歌,提出了一种独特的视角,即如何以支持历史思维的方式,利用第一手资料教授历史边缘化的声音。
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Engaging with historically marginalized voices through blackout poetry
PurposeThis paper seeks to provide instructional methods for using blackout poetry and primary sources to learn about marginalized voices from history within a social studies classroom. Blackout poetry provides students with authentic opportunities to engage in meaningful learning experiences using primary sources and marginalized voices that are both hands-on in nature and promote the use of critical thinking.Design/methodology/approachThis paper opted to describe an approach to teach students about marginalized voices in history through the use of primary sources and blackout poetry. Step-by-step instruction was provided via an included table so that readers can recreate the lesson in readers' own classrooms.FindingsThis paper offers insights about how blackout poetry can be used to provide students an authentic experience with primary sources and historically marginalized voices. These experiences include opportunities to critically think about the context and significance or these marginalized voices and impact of marginalized voices on history through individual and cooperative learning opportunities.Practical implicationsThis paper is designed for teachers to utilize and replicate in teachers' own social studies classrooms.Social implicationsThis paper provides teachers with detailed steps on how teachers can amplify traditionally marginalized voices in social studies instruction of teachers.Originality/valueThis paper recognizes the important role that primary sources have in the social studies classroom along with the historically under representative role that marginalized voices have had in the author's social studies classrooms. Through an original approach, using blackout poetry, the author presents a unique perspective on how to teach about historically marginalized voices using primary sources in a manner that supports historical thinking.
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