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引用次数: 0

摘要

文化是一个国家、一个民族的灵魂。文化自信是对一个民族、一个国家、一个政党文化价值的充分肯定。在全球化的背景下,中国电影的数量和票房都呈现出快速增长,成为重要的文化输出。《英雄》、《霸王别姬》、《十面埋伏》、《一代宗师》、《卧虎藏龙》等历代优秀的中国电影,作为“本土特色”的文化符号,深受全球观众的关注和喜爱。本文分析了新时期中国电影产业的现状,认为中国电影不仅要“来自中国、反映中国、代表中国”,更要在未来改变中国。一是扭转中国电影史上文化符号不够重要的现象。二是提升中国文化软实力。三是用中国电影所展现的文化景观来改变社会面貌。本文将从对民族文化符号的自信、对现实发展道路的自信、对未来发展前景的自信三个方面探讨中国电影如何在新时代摆脱“文化他信”,形成“文化自立”,实现“文化自信”。
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How the Chinese Film Show the Cultural Self-confidence in the New Era
Culture is the soul of a country and a nation. Cultural self-confidence is the full affirmation to the cultural value of a nation, a country and a political party. President Xi Jinping said, strengthening cultural self-confidence is a major issue concerning the national fortune, cultural security and the independence of the national spirit. In the context of globalization, the number and box office of Chinese movies have shown a rapid growth and become an important export of culture. Excellent Chinese movies in the past, such as Hero, Farewell My Concubine, House of Flying Daggers, The Grandmasteras and Crouching Tiger, Hidden Dragon, as a cultural symbol of "local character", are deeply concerned and loved by global audiences. This article analyses the current situation of the Chinese film industry in the new era and holds that,Chinese film should not only "come from China, reflect China, represent China", but also change China in the future. One is to reverse the phenomenon that the cultural symbols are not significant enough in the history of Chinese film. The other is to enhance the soft power of Chinese culture. The third is to change the social outlook with cultural landscape which showing by the Chinese film. In this paper, I will explore how Chinese movies get rid of "cultural Thaksin", form "cultural self-reliance" and realize "cultural self-confidence" in the new era from three aspects: self-confidence in national cultural symbols, self-confidence in the road of realistic development and self-confidence in the future development prospects.
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