Spotify是音乐建设的一个案例

Cecilia Ferm Almqvist, Niclas Ekberg, Susanna Leijonhufuvd
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引用次数: 3

摘要

本文探讨了流媒体作为音乐建设的潜在促进者的意义和功能。因此,本文以流媒体技术的优势为出发点,重点关注Spotify等音乐流媒体服务可能提供的形成和培养维度。本文的具体目的是从用户的角度来描述和分析音乐建设如何在Spotify的背景下发展。为了从音乐教育的角度实现这一目标,受互联网相关人种学的启发,我们访问了Spotify用户的流媒体互动活动和体验。刺激回忆访谈的重点是参与者的经历以及他们对Spotify流媒体服务的实际使用,该访谈被进行、录制和转录。生成的材料进行合作解释学内容分析。研究结果阐明了Bildung在用户与该服务以及通过Spotify中介的艺术接触中是如何演变的。从海德格尔的角度来看,人-艺术-技术关系中出现的相关主题是“可能的存在”、“将来的能力”和“Spotify作为他者”。总而言之,可以说,当Spotify超越了他者的物性,成为一件艺术作品,将用户投入到存在中时,Bildung就进化了。
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Spotify as a case of musical Bildung
This article explores the meaning and function of streaming media as a potential facilitator of musical Bildung. Taking the affordances of streaming media technologies as a starting point, the article thus focuses on the formative and cultivating dimensions a music streaming service such as Spotify might offer. The specific aim of this article is to describe and analyse how musical Bildung may evolve within a Spotify context from a user perspective. To address the aim from the point of view of music education, Spotify users’ activities and experiences of streaming media interactions were accessed, inspired by internet-related ethnography. Stimulated recall interviews, focusing on the participants’ experiences as well as their actual use of Spotify’s streaming service, were conducted, recorded, and transcribed. The generated material was subjected to co-operative hermeneutic content analysis. The results illuminate how Bildung evolves in users’ encounters with the service and with art mediated via Spotify. Relevant topics occurring in the human-art-technology relationship of Bildung from a Heideggerian perspective were Being-possible, the ability-to-be, and Spotify as the Other. In sum, it can be stated that Bildung evolves when Spotify exceeds the thingness of the Other, becoming a work of art in itself, throwing the user into Being.
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