梦工厂织物遮阳模型:从艺术家友好到物理可信

ACM SIGGRAPH 2017 Talks Pub Date : 2017-07-30 DOI:10.1145/3084363.3085024

Priyamvad Deshmukh, Feng Xie, Eric Tabellion

{"title":"梦工厂织物遮阳模型:从艺术家友好到物理可信","authors":"Priyamvad Deshmukh, Feng Xie, Eric Tabellion","doi":"10.1145/3084363.3085024","DOIUrl":null,"url":null,"abstract":"Since Shrek 2, DreamWorks artists have used the fabric model developed by [Glumac and Doepp 2004] extensively on cloth material shading. Even after we developed the physically based microcylinderical cloth model by [Sadeghi et al. 2013], they continued to prefer the intuitive control of the DreamWorks fabric shading model, which is also a cyindrical shading model, with easy to use artistic controls for highlights, and highlight directions.","PeriodicalId":163368,"journal":{"name":"ACM SIGGRAPH 2017 Talks","volume":"8 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2017-07-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"2","resultStr":"{\"title\":\"DreamWorks fabric shading model: from artist friendly to physically plausible\",\"authors\":\"Priyamvad Deshmukh, Feng Xie, Eric Tabellion\",\"doi\":\"10.1145/3084363.3085024\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Since Shrek 2, DreamWorks artists have used the fabric model developed by [Glumac and Doepp 2004] extensively on cloth material shading. Even after we developed the physically based microcylinderical cloth model by [Sadeghi et al. 2013], they continued to prefer the intuitive control of the DreamWorks fabric shading model, which is also a cyindrical shading model, with easy to use artistic controls for highlights, and highlight directions.\",\"PeriodicalId\":163368,\"journal\":{\"name\":\"ACM SIGGRAPH 2017 Talks\",\"volume\":\"8 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2017-07-30\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"2\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"ACM SIGGRAPH 2017 Talks\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1145/3084363.3085024\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"ACM SIGGRAPH 2017 Talks","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1145/3084363.3085024","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}

引用次数: 2

摘要

从《怪物史莱克2》开始，梦工厂的美术师们就在布料材质上广泛使用了由[Glumac and Doepp 2004]开发的织物模型。即使在我们通过[Sadeghi et al. 2013]开发了基于物理的微柱状布模型之后，他们仍然更喜欢DreamWorks织物遮阳模型的直观控制，这也是一个柱状遮阳模型，具有易于使用的高光和高光方向的艺术控制。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

查看原文

微信好友朋友圈 QQ好友复制链接

本刊更多论文

DreamWorks fabric shading model: from artist friendly to physically plausible

Since Shrek 2, DreamWorks artists have used the fabric model developed by [Glumac and Doepp 2004] extensively on cloth material shading. Even after we developed the physically based microcylinderical cloth model by [Sadeghi et al. 2013], they continued to prefer the intuitive control of the DreamWorks fabric shading model, which is also a cyindrical shading model, with easy to use artistic controls for highlights, and highlight directions.

求助全文

通过发布文献求助，成功后即可免费获取论文全文。去求助

来源期刊

ACM SIGGRAPH 2017 Talks

自引率

0.00%

发文量

期刊最新文献

A case study on raytracing-in-the-loop optimization: focal surface displays Masquerade: fine-scale details for head-mounted camera motion capture data Building an animation pipeline for VR stories Dear angelica: breathing life into VR illustrations Evolution of AR in Pokémon go