{"title":"《刽子手在家:VR","authors":"Michelle Kranot, Uri Kranot","doi":"10.1145/3446367.3452333","DOIUrl":null,"url":null,"abstract":"Inspired by the iconic Carl Sandburg poem (1922), this piece explores themes of acknowledgement and participation. It is not about hanging people, but about the awkward intimacy that comes with being human, and the connection between spectator, witness, and accomplice.","PeriodicalId":222124,"journal":{"name":"ACM SIGGRAPH 2021 VR Theater","volume":"5 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2021-08-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":"{\"title\":\"The Hangman at Home: VR\",\"authors\":\"Michelle Kranot, Uri Kranot\",\"doi\":\"10.1145/3446367.3452333\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Inspired by the iconic Carl Sandburg poem (1922), this piece explores themes of acknowledgement and participation. It is not about hanging people, but about the awkward intimacy that comes with being human, and the connection between spectator, witness, and accomplice.\",\"PeriodicalId\":222124,\"journal\":{\"name\":\"ACM SIGGRAPH 2021 VR Theater\",\"volume\":\"5 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2021-08-09\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"1\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"ACM SIGGRAPH 2021 VR Theater\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1145/3446367.3452333\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"ACM SIGGRAPH 2021 VR Theater","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1145/3446367.3452333","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
Inspired by the iconic Carl Sandburg poem (1922), this piece explores themes of acknowledgement and participation. It is not about hanging people, but about the awkward intimacy that comes with being human, and the connection between spectator, witness, and accomplice.
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