不存在感:无形存在的形象化

Takuya Mikami, Min Xu, Kaori Yoshida, Kousuke Matsunaga, Jun Fujiki
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Sense of non-presence:Visualization of invisible presence
Permission to make digital or hard copies of part or all of this work for personal or classroom use is granted without fee provided that copies are not made or distributed for profit or commercial advantage and that copies bear this notice and the full citation on the first page. Copyrights for third-party components of this work must be honored. For all other uses, contact the owner/author(s). SA '19 Posters, November 17-20, 2019, Brisbane, QLD, Australia © 2019 Copyright held by the owner/author(s). ACM ISBN 978-1-4503-6943-5/19/11. https://doi.org/10.1145/3355056.3364591 visualization devices have been developed[Piper et al. 2002], but what is unique to this instrument is the use of apparent movement, a phenomenon of human perception in which we perceive that certain objects are in motion when in fact they are not moving. The apparent movement – which makes viewers feel as if stimulus objects in a fixed position are moving by making them appear or disappear instantaneously – serves as a basic principle in animation. We use the apparent movement created by controlling particles blown up in the air to get viewers to recognize specific movement sequences.
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