光谱之外:光与物质的诗意邂逅

S. Buoso
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引用次数: 0

摘要

本文通过对材料及其补充的代理性、过程性和伦理性的争论,提出了对当代艺术中物质性命题的重新思考。在新唯物主义的指导下,本文通过建立阿尔都塞从接近物质到掌握技术的“接触材料”的新形态,有助于在艺术背景下重新定位创作实践。通过研究“光谱”一词的词源,本文将古典唯物主义的逻辑置于物质性环境中的情感倾向中,这一逻辑进入了语言、再现和经验的空间。本文通过介绍James Turrell的艺术实践,聚焦于光的物质生成,探索差异的物质性的顿悟。Poiesis是指对材料的潜能和现实的一种倾向,在这里经验的感觉与技术的逻辑共存。当材料实践的框架质疑原始的物质性系统和技术的虚拟性时,poiesis利用这些差异来培养意义和经验的视野。
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Outside the spectrum: poietic encounters of light-matter
The paper proposes a re-think of the poiesis of materiality in contemporary arts through arguments about the agency, processuality and ethics of the material and its supplements. Informed by new materialisms, the essay contributes to the repositioning of the practice of poiesis in an artistic context by establishing a new modality of Althusser’s ‘encountering the material’ from proximity to matter to the mastery of techniques. By investigating the etymology of the term ‘spectrum’, the paper sidelines the logic of classical materialism that encounters affective dispositions in the milieu of materiality, which reaches into the space of language, re-presentation and experience. The paper focuses on the poiesis of light’s matter by introducing James Turrell’s artistic practice, which explores the epiphany of a materiality of difference. Poiesis comes to identify a disposition toward the potentialities and actualities of the material, where the sensorium of experience coexists with the logic of techne. While the frames of material practices interrogate both the originary system of materiality and the virtuality of technologies, poiesis draws on these differences to cultivate a horizon of meaning and experience.
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