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摘要

本文探讨了新冠肺炎危机中代际倾听的实践及其对重新想象社会关系的影响。通过视频会议平台的对话和交流,作者批判性地思考了通过倾听特定空间的日常声音(Tuuri和Peltola 2019)来发展新的社会联系感的可能性。更具体地说,主要目的是研究在封闭的空间中重新想象日常声音作为亲密、伴奏和创造力的来源所产生的影响。这些声音包括心爱的时钟发出的“嗡嗡声”,门廊里屏风发出的吱吱声,或者在家庭客厅里经常听的唱片。在有关“远距离聆听”(Finer 2018)和“声音想象”(Street 2019)的文献的支持下,我们提出了这样的问题:代际、社交距离较远的听众如何利用声音和空间来即兴创作新的社交联系形式?我们认为,提出这些问题可以为研究和行动提供信息,了解代际聆听和即兴创作在新兴的大流行后音乐格局中对人口老龄化的表现和重视方面可能发挥的作用(Lanphier 2019)。
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Clock in the Living Room
This article explores the practice of intergenerational listening and its implications for re-imagining social connection in the COVID-19 crisis. Using an approached based in conversation and exchange facilitated through video-conferencing platforms, the authors critically reflect on the possibilities for developing a new sense of social connection by listening to the everyday sounds (Tuuri and Peltola 2019) of particular spaces. More specifically, the principal aim is to investigate the impact of re-imagining the daily sounds of spaces under locked-down as sources of intimacy, accompaniment, and creativity. These sounds include the ‘buzz’ of a cherished clock, the creak of a screened in porch, or records regularly listened to in a family living room. Supported by literature on ‘listening at a distance’ (Finer 2018) and the ‘sonic imagination’ (Street 2019), we ask: how can intergenerational, socially-distanced listeners engage with sound and space to improvise new forms of social connectivity? Asking these questions, we argue, can inform research and action into the roles that intergenerational listening and improvisation can play in the representation and the valuing an ageing population (Lanphier 2019) in an emerging post-pandemic musical landscape.
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