一篇关于隐私的文章

Ronald C. Griffin
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摘要

杰西·诺曼是一位美国歌剧演唱家。她于2019年10月1日去世。2019年10月2日,我的妻子得到了一个可怕的诊断,这让我陷入了昏迷,比以往任何时候都更提醒我,我们这一代人(在世界上做了这么多好事)正排队等待死神的召唤。在过去的七十年里(时间过得太快了),我看着我的同龄人从隐私的领域——在那里,人们实施生活计划,不受邻居的干扰,对每个人来说都是可辨可辨的、可触摸的、真实的——奔向一个没有隐私的领域。为什么?本文试图回答这个问题,并通过可行的想法、密歇根州法规、《侵权重述法》、故事和判例法,重新夺回我们失去的一些东西。这项事业收集了一些有流行语的东西,并以手中的宝藏,组装和编织成一个有助于我们的故事。有一些指南可以帮助读者完成这篇文章:新的开始,耕地,树桩和石头障碍物,犁沟的田地,等等。它以一种深刻的信念结束,“我们已经放弃了太多的自我,以至于不能声称任何东西都是私人的。”每个人都了解彼此。你是谁,你是什么,你去过哪里,这些都掌握在别人的手中。
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An Essay about Privacy
Jessye Norman was an American opera singer. She died on October 1, 2019. On October 2, 2019, my wife got a grim diagnosis that put me in a stupor and reminded me, now more than ever, that my generation (that did so much good in the world) stands in line waiting for the Grim Reaper’s call. In a seventy-years (that have gone by too fast) I have watched my peers run from the realms of privacy, spaces where people implemented life plans uninterrupted by neighbours that were discernible, palpable, and real to everybody, to a realm where there is none. Why? This paper takes a stab at answering that question and, in so doing, reclaiming bits of what we have lost with workable ideas, a Michigan statute, the Restatement of Torts, stories, and case law. The undertaking collects things with catch phrases and, with a trove in hand, assembles and weaves together a narrative that will help us. There are guides for the reader to follow to help him through the essay: new beginning, ploughing the ground, tree stumps and stone obstacles, furrowed fields, and so on. It ends with a deep conviction that “we’ve relinquished too much of ourselves to claim anything as private.” Everybody knows something about everybody. Who you are and what you are and where you have been are in the hands of others.
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