弗兰克·劳埃德·赖特

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Wright spent much of the next eight years in Tokyo working on the Imperial Hotel there, which survived the Great Kanto Earthquake in 1923. He also designed Hollyhock House (1919–1921) in Los Angeles for Aline Barnsdall, and in 1923–1925, living in Los Angeles, Wright built four “textile block houses.” Based at Taliesin, rebuilt after a second fire in 1925, and in winters from 1937 at Taliesin West near Scottsdale, Arizona, Wright worked with apprentices who formed the Taliesin Fellowship, to create such key works as Fallingwater (1934–1937), at Bear Run in southwestern Pennsylvania, and the S. C. Johnson Company Administration Building (1936–1939) in Racine, Wisconsin. Wright also wrote on new ideas for urbanism, especially his Broadacre City, first exhibited in New York City in 1935. The following year Wright built the first of many Usonian houses designed for clients with modest incomes and featuring many dimensional and material economies while maintaining a sense of spaciousness. In the last phase of his career following World War II, Wright and his apprentices continued to build houses for a national clientele, and such larger works as the S. C. Johnson Company Research Tower (1943–1950) in Racine, the H. C. Price Company Tower (1952–1956) in Bartlesville, Oklahoma, the Marin County Civic Center (1957–1970) in California, and his most influential late work, the Solomon R. Guggenheim Museum (1943–1959) in New York City. Wright’s later public buildings also included a series of religious structures, perhaps most notably Beth Sholom Synagogue, Elkins Park, near Philadelphia, Pennsylvania (1954–1959), and Annunciation Greek Orthodox Church, Wauwatosa, near Milwaukee, Wisconsin (1956–1963). Oxford University Press online bibliographies usually have 50–150 citations. This bibliography of scholarly literature on Frank Lloyd Wright is limited to about four hundred citations, which is a small percentage of the thousands of publications on Wright from his earliest years through his death in 1959 and continuing through 2020. For publications on Wright through 2002, see Donald Langmead, Frank Lloyd Wright: A Bio-Bibliography (Langmead 2003, cited under Research and Reference Guides), with its over 3,500 entries. For a complete list of references on Wright since 2002, the reader may profitably consult several relevant online scholarly databases such as the Avery Index to Architecture Periodicals, Bibliography of the History of Art, America: History and Life, and Applied Science and Engineering. In this Oxford Bibliography article, publications contemporaneous with the completion of Wright’s works have largely been omitted in favor of later historical accounts of them. For scholarly writing, if an author’s article or book chapter was substantially incorporated into a later book by that same author, references to such earlier articles or chapters have been omitted. Also, the large literature on Wright which is almost exclusively photographic or popular has been mostly omitted, with the exception of local and comprehensive guidebooks to Wright’s architecture. Photographic volumes with substantive essays have been included. Unpublished dissertations and theses have not been included. 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引用次数: 0

摘要

弗兰克·劳埃德·赖特(1867-d)1959年)可能是美国最著名的建筑师,也是20世纪现代建筑界最重要的人物之一。赖特在芝加哥的阿德勒沙利文律师事务所(Adler and Sullivan)与路易斯沙利文(Louis Sullivan)学徒后,于1893年在橡树公园(Oak Park)郊区开始独立执业。在那里,到1909年,赖特开发了空间扩展和风格创新的草原屋类型。在此期间,赖特还设计了他的第一个大型作品,纽约布法罗的拉金公司行政大楼(1902-1906)和橡树公园的团结神庙(1905-1909)。赖特在威斯康星州南部他母亲家的农田里建造了自己的家和工作室Taliesin(1911-1913)。他还设计了芝加哥的中途岛花园(1913-1914)。接下来的八年里,赖特大部分时间都在东京建造帝国酒店,这座酒店在1923年的关东大地震中幸免于难。他还在洛杉矶为Aline Barnsdall设计了蜀葵屋(Hollyhock House, 1919-1921), 1923-1925年,赖特住在洛杉矶,建造了四座“纺织积木屋”。赖特以塔里埃森为基地,1925年第二次火灾后重建,并于1937年的冬天在亚利桑那州斯科茨代尔附近的塔里埃森西部工作,与组成塔里埃森奖学金的学徒一起创作了诸如宾夕法尼亚州西南部贝尔朗的流水(1934-1937)和威斯康星州拉辛的S. C.约翰逊公司行政大楼(1936-1939)等关键作品。莱特还写了关于城市主义的新思想,特别是他的布罗德克城,于1935年首次在纽约市展出。第二年,赖特建造了第一个Usonian住宅,为中等收入的客户设计,在保持宽敞感的同时,具有许多维度和材料经济。在第二次世界大战后他职业生涯的最后阶段,赖特和他的学徒们继续为全国客户建造房屋,以及诸如拉辛的S. C.约翰逊公司研究大楼(1943-1950),俄克拉荷马州巴特尔斯维尔的H. C. Price公司大楼(1952-1956),加利福尼亚州的马林县公民中心(1957-1970)等大型作品,以及他最有影响力的后期作品,纽约市的所罗门R.古根海姆博物馆(1943-1959)。赖特后来的公共建筑还包括一系列宗教建筑,也许最著名的是贝丝·肖洛姆犹太教堂,位于宾夕法尼亚州费城附近的埃尔金斯公园(1954-1959),以及威斯康星州密尔沃基附近沃瓦托萨的报喜希腊东正教教堂(1956-1963)。牛津大学出版社的在线书目通常有50-150次引用。这份关于弗兰克·劳埃德·赖特(Frank Lloyd Wright)的学术文献参考书目只有大约400条引文,这只是从他早年到1959年去世并持续到2020年的数千篇关于赖特的出版物中的一小部分。关于赖特到2002年的出版物,请参阅唐纳德·朗米德,弗兰克·劳埃德·赖特:一个生物参考书目(朗米德2003年,在研究和参考指南下引用),其中有3500多个条目。对于2002年以来关于赖特的完整参考书目,读者可以参考几个相关的在线学术数据库,如艾弗里建筑期刊索引、艺术史参考书目、美国:历史与生活、应用科学与工程。在这篇牛津参考书目文章中,与赖特作品完成同时出版的作品在很大程度上被省略了,以支持后来对它们的历史描述。在学术写作中,如果作者的文章或书籍章节被同一作者在后来的一本书中大量引用,则省略了对这些早期文章或章节的引用。此外,除了当地和全面的赖特建筑指南外,关于赖特的大量文献几乎完全是摄影或流行的,这些文献大多被省略了。已列入载有实质性文章的摄影卷。未发表的学位论文和论文不包括在内。这些可以通过像dissertation & Theses Global这样的数据库来搜索。
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Frank Lloyd Wright
Frank Lloyd Wright (b. 1867–d. 1959) was perhaps the most well-known American architect, and one of the most important figures in modern architecture of the 20th century. After apprenticing in Chicago, importantly with Louis Sullivan in the firm of Adler and Sullivan, Wright began his independent practice in 1893 in the suburb of Oak Park. There, to 1909, Wright developed the spatially expansive and stylistically innovative type of the Prairie House. In this period Wright also designed his first major larger works, the Larkin Co. Administration Building, Buffalo, New York (1902–1906), and Unity Temple, Oak Park (1905–1909). Wright created a home and studio, Taliesin (1911–1913), amid the farmlands of his maternal family in southern Wisconsin. He also designed the Midway Gardens (1913–1914) in Chicago. Wright spent much of the next eight years in Tokyo working on the Imperial Hotel there, which survived the Great Kanto Earthquake in 1923. He also designed Hollyhock House (1919–1921) in Los Angeles for Aline Barnsdall, and in 1923–1925, living in Los Angeles, Wright built four “textile block houses.” Based at Taliesin, rebuilt after a second fire in 1925, and in winters from 1937 at Taliesin West near Scottsdale, Arizona, Wright worked with apprentices who formed the Taliesin Fellowship, to create such key works as Fallingwater (1934–1937), at Bear Run in southwestern Pennsylvania, and the S. C. Johnson Company Administration Building (1936–1939) in Racine, Wisconsin. Wright also wrote on new ideas for urbanism, especially his Broadacre City, first exhibited in New York City in 1935. The following year Wright built the first of many Usonian houses designed for clients with modest incomes and featuring many dimensional and material economies while maintaining a sense of spaciousness. In the last phase of his career following World War II, Wright and his apprentices continued to build houses for a national clientele, and such larger works as the S. C. Johnson Company Research Tower (1943–1950) in Racine, the H. C. Price Company Tower (1952–1956) in Bartlesville, Oklahoma, the Marin County Civic Center (1957–1970) in California, and his most influential late work, the Solomon R. Guggenheim Museum (1943–1959) in New York City. Wright’s later public buildings also included a series of religious structures, perhaps most notably Beth Sholom Synagogue, Elkins Park, near Philadelphia, Pennsylvania (1954–1959), and Annunciation Greek Orthodox Church, Wauwatosa, near Milwaukee, Wisconsin (1956–1963). Oxford University Press online bibliographies usually have 50–150 citations. This bibliography of scholarly literature on Frank Lloyd Wright is limited to about four hundred citations, which is a small percentage of the thousands of publications on Wright from his earliest years through his death in 1959 and continuing through 2020. For publications on Wright through 2002, see Donald Langmead, Frank Lloyd Wright: A Bio-Bibliography (Langmead 2003, cited under Research and Reference Guides), with its over 3,500 entries. For a complete list of references on Wright since 2002, the reader may profitably consult several relevant online scholarly databases such as the Avery Index to Architecture Periodicals, Bibliography of the History of Art, America: History and Life, and Applied Science and Engineering. In this Oxford Bibliography article, publications contemporaneous with the completion of Wright’s works have largely been omitted in favor of later historical accounts of them. For scholarly writing, if an author’s article or book chapter was substantially incorporated into a later book by that same author, references to such earlier articles or chapters have been omitted. Also, the large literature on Wright which is almost exclusively photographic or popular has been mostly omitted, with the exception of local and comprehensive guidebooks to Wright’s architecture. Photographic volumes with substantive essays have been included. Unpublished dissertations and theses have not been included. These can be searched through such databases as Dissertations & Theses Global.
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