李维的《卡托与商品的中心与边缘

Mary K. Jaeger
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摘要

这篇论文是李维如何代表老卡托的一个更大项目的一部分,从他进入第29卷的文本到他最后的俏皮话保存在第50卷的摘要中,这是李维文本的前三分之一中最长的传记弧。它通过卡托与客体的关系,以及李维作为客体的叙述来看待卡托。本文以李维的《加图》一生中的一段插曲——关于废除《Oppia法》的争论为中心,在以往学者的工作基础上,将三个论点结合起来:1)李维将文本空间和罗马地形编织在一起,以强调这场辩论同时具有边缘性和中心性;2)李维的《加图》和《瓦莱里乌斯》用物的形象填充了罗马的城市地形,通过女性的身体引起人们对奢侈与罗马帝国之间关系的关注;3)李维用这一事件来论证他自己的历史写作及其与帝国扩张的积极关系。这个关注李维的《加图》的项目本身就是对我们如何阅读,以及可能如何阅读李维的更大反思的一部分。
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Livy’s Cato and Commodities at Centre and Periphery
This paper is part of a larger project on how Livy represents the Elder Cato, from his entrance into the text in Book 29 to his last witticism preserved in the summary of Book 50, the longest biographical arc in this first third of Livy’s text. It views Cato through the lens of his relationship with objects, and with Livy’s narrative as an object as well. This paper focuses on one episode in the life of Livy’s Cato, the debate over the repeal of the Lex Oppia, and builds on previous scholars’ work to unite three arguments: 1) Livy weaves together textual space and Roman topography so as to emphasise the simultaneous marginality and centrality of this debate; 2) Livy’s Cato and Valerius fill Rome’s urban topography with images of things so as to draw attention via women’s bodies to the relationship between luxury and Rome’s imperium; 3) Livy uses this episode to make an argument about his own historical writing and its active relationship to the expansion of empire. This project focusing on Livy’s Cato is itself part of an even larger reexamination of how we read, and might read, Livy.
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