略论王羲之《快学十清铁》的沉稳典雅与书法构图的关系

Kunjin Luo, Jae-Woo Lee
{"title":"略论王羲之《快学十清铁》的沉稳典雅与书法构图的关系","authors":"Kunjin Luo, Jae-Woo Lee","doi":"10.19077/tsoc.2023.42.8","DOIUrl":null,"url":null,"abstract":"Wang Xizhi's law posts can be described as “one post, one appearance”, and “kuaixueshiqingtie” is a very special existence, revealing a kind of peace, no excitement, wind rules and regulations. Difference. “It's gratifying and stunned, one in the book”, calligraphy art is a form of art that reveals emotions. Why does this post show such a look? Let's discuss separately to seek rationally to spy the relationship between calligraphy techniques and emotions. Wang Xizhi's law posts can be described as “one post, one appearance”. Among them, “Fast Snow Shiqing Post” is a very special existence, revealing a kind of peace, no excitement, wind rules, and other laws. Huge difference. Calligraphy is an art form that expresss emotions. Han Yu has a saying: “It's gratifying and stunned, one is in the book”, why can “Fast Snow in the Snow” show this peaceful appearance. This article will use pen, structure, chapters, etc. The unique display form in the fast snowy post is discussed separately to seek rationally to spy the relationship between the form of calligraphy techniques and emotional expression. In the use of the pens, analyze the details of the collection, turning, and the weight changes, and expand the important connection of the form of the pen with the emotional performance; in the structural exposition Compared with Su Shi, Mi Yan, Wang Duo and others, the single -character structure can observe the characteristics of the stable structure in the “kuaixueshiqingtie”, which can discuss the relationship between the structure of the structure and emotion; In the discussion of the chapter research, the way to introduce axis can be revealed to the uniqueness of the seal of “kuaixueshiqingtie”, and the relationship between this method is found to form a relationship with its emotional performance. \n王羲之诸法帖可谓“一帖一貌”,《快雪时晴帖》是一个非常特殊的存在,流露出一种平和自然、不激不厉、风规自远之貌,和其他法帖有很大的差异。“可喜可愕,一寓于书”,书法艺术是揭示情感的一种艺术形式,该帖为何呈现如此面貌,我们将用笔、结构、章法等在《快雪时晴帖》中的独特表现形式分开来论述,以求理性的窥探书法技法的表现和情感之间的关系。王羲之诸法帖可谓“一帖一貌”,其中《快雪时晴帖》是一个非常特殊的存在,流露出一种平和自然、不激不厉、风规自远之貌,和王羲之其他法帖有很大差异。书法是表达情感的艺术形式,韩愈有言:“可喜可愕,一寓于书”,《快雪时晴帖》为何能呈现出这种平和面貌,本文将通过用笔、结构、章法等在《快雪时晴帖》中的独特展现形式分开论述,以求理性的窥探书法技法形式和情感表达之间的关系。在用笔中将从起收笔、转折、轻重变化等细节进行分析,展开论述了用笔的形式与其情感表现的重要联系;在结构方面的论述中,将《快雪时晴帖》中的单字结构同苏轼、米芾、王铎等人对比研究,能较为直观的观察到《快雪时晴帖》中结构端稳平和的特点,进而可以论述结构构成与情感表达的关系;在对作品章法研究的探讨中,引入轴线图这一方式,可以把《快雪时晴帖》的章法独特性显现出来,找到这种章法构成与其情感表现之间的关系。","PeriodicalId":103412,"journal":{"name":"The Korean Society of Calligraphy","volume":"9 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2023-03-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"A brief discussion on the relationship between the calm and elegant rhyme of Wang Xizhi's “kuaixueshiqingtie(快雪时晴帖)” and its calligraphy composition\",\"authors\":\"Kunjin Luo, Jae-Woo Lee\",\"doi\":\"10.19077/tsoc.2023.42.8\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Wang Xizhi's law posts can be described as “one post, one appearance”, and “kuaixueshiqingtie” is a very special existence, revealing a kind of peace, no excitement, wind rules and regulations. Difference. “It's gratifying and stunned, one in the book”, calligraphy art is a form of art that reveals emotions. Why does this post show such a look? Let's discuss separately to seek rationally to spy the relationship between calligraphy techniques and emotions. Wang Xizhi's law posts can be described as “one post, one appearance”. Among them, “Fast Snow Shiqing Post” is a very special existence, revealing a kind of peace, no excitement, wind rules, and other laws. Huge difference. Calligraphy is an art form that expresss emotions. Han Yu has a saying: “It's gratifying and stunned, one is in the book”, why can “Fast Snow in the Snow” show this peaceful appearance. This article will use pen, structure, chapters, etc. The unique display form in the fast snowy post is discussed separately to seek rationally to spy the relationship between the form of calligraphy techniques and emotional expression. In the use of the pens, analyze the details of the collection, turning, and the weight changes, and expand the important connection of the form of the pen with the emotional performance; in the structural exposition Compared with Su Shi, Mi Yan, Wang Duo and others, the single -character structure can observe the characteristics of the stable structure in the “kuaixueshiqingtie”, which can discuss the relationship between the structure of the structure and emotion; In the discussion of the chapter research, the way to introduce axis can be revealed to the uniqueness of the seal of “kuaixueshiqingtie”, and the relationship between this method is found to form a relationship with its emotional performance. \\n王羲之诸法帖可谓“一帖一貌”,《快雪时晴帖》是一个非常特殊的存在,流露出一种平和自然、不激不厉、风规自远之貌,和其他法帖有很大的差异。“可喜可愕,一寓于书”,书法艺术是揭示情感的一种艺术形式,该帖为何呈现如此面貌,我们将用笔、结构、章法等在《快雪时晴帖》中的独特表现形式分开来论述,以求理性的窥探书法技法的表现和情感之间的关系。王羲之诸法帖可谓“一帖一貌”,其中《快雪时晴帖》是一个非常特殊的存在,流露出一种平和自然、不激不厉、风规自远之貌,和王羲之其他法帖有很大差异。书法是表达情感的艺术形式,韩愈有言:“可喜可愕,一寓于书”,《快雪时晴帖》为何能呈现出这种平和面貌,本文将通过用笔、结构、章法等在《快雪时晴帖》中的独特展现形式分开论述,以求理性的窥探书法技法形式和情感表达之间的关系。在用笔中将从起收笔、转折、轻重变化等细节进行分析,展开论述了用笔的形式与其情感表现的重要联系;在结构方面的论述中,将《快雪时晴帖》中的单字结构同苏轼、米芾、王铎等人对比研究,能较为直观的观察到《快雪时晴帖》中结构端稳平和的特点,进而可以论述结构构成与情感表达的关系;在对作品章法研究的探讨中,引入轴线图这一方式,可以把《快雪时晴帖》的章法独特性显现出来,找到这种章法构成与其情感表现之间的关系。\",\"PeriodicalId\":103412,\"journal\":{\"name\":\"The Korean Society of Calligraphy\",\"volume\":\"9 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2023-03-31\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"The Korean Society of Calligraphy\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.19077/tsoc.2023.42.8\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"The Korean Society of Calligraphy","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.19077/tsoc.2023.42.8","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0

摘要

王羲之的律帖可谓“一帖一貌”,而“快学十清帖”则是一种很特殊的存在,透出一种平和、无激动、风的规矩。的区别。“喜而惊,一在书中”,书法艺术是一种流露情感的艺术形式。为什么这个帖子会呈现出这样的表情?让我们分门别类地探讨,理性地窥探书法技法与情感的关系。王羲之的法律职务可谓“一职一貌”。其中,《快雪十清帖》是一种非常特殊的存在,揭示了一种平和、无兴奋、风律等规律。巨大的差异。书法是一种表达情感的艺术形式。韩愈有句话:“喜而惊,一在书中”,为什么《雪中的快雪》能表现出这种平和的样子呢?这篇文章将使用钢笔、结构、章节等。对快雪帖中独特的表现形式分别进行探讨,力求理性地窥探书法技法的表现形式与情感表达之间的关系。在笔的使用中,分析笔的收、转、重变化等细节,拓展笔的形态与情感表现的重要联系;在结构论述上,单字结构与苏轼、宓言、王铎等人相比,可以观察到《快学十情铁》中稳定结构的特点,可以探讨结构结构与情感的关系;在本章研究的讨论中,引入轴线的方式可以揭示出“快学十清铁”印章的独特性,并发现这种方式与其情感表现之间的关系。王羲之诸法帖可谓“一帖一貌”,《快雪时晴帖》是一个非常特殊的存在,流露出一种平和自然、不激不厉、风规自远之貌,和其他法帖有很大的差异。“可喜可愕,一寓于书”,书法艺术是揭示情感的一种艺术形式,该帖为何呈现如此面貌,我们将用笔、结构、章法等在《快雪时晴帖》中的独特表现形式分开来论述,以求理性的窥探书法技法的表现和情感之间的关系。王羲之诸法帖可谓“一帖一貌”,其中《快雪时晴帖》是一个非常特殊的存在,流露出一种平和自然、不激不厉、风规自远之貌,和王羲之其他法帖有很大差异。书法是表达情感的艺术形式,韩愈有言:“可喜可愕,一寓于书”,《快雪时晴帖》为何能呈现出这种平和面貌,本文将通过用笔、结构、章法等在《快雪时晴帖》中的独特展现形式分开论述,以求理性的窥探书法技法形式和情感表达之间的关系。在用笔中将从起收笔、转折、轻重变化等细节进行分析,展开论述了用笔的形式与其情感表现的重要联系;在结构方面的论述中,将《快雪时晴帖》中的单字结构同苏轼、米芾、王铎等人对比研究,能较为直观的观察到《快雪时晴帖》中结构端稳平和的特点,进而可以论述结构构成与情感表达的关系;在对作品章法研究的探讨中,引入轴线图这一方式,可以把《快雪时晴帖》的章法独特性显现出来,找到这种章法构成与其情感表现之间的关系。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
查看原文
分享 分享
微信好友 朋友圈 QQ好友 复制链接
本刊更多论文
A brief discussion on the relationship between the calm and elegant rhyme of Wang Xizhi's “kuaixueshiqingtie(快雪时晴帖)” and its calligraphy composition
Wang Xizhi's law posts can be described as “one post, one appearance”, and “kuaixueshiqingtie” is a very special existence, revealing a kind of peace, no excitement, wind rules and regulations. Difference. “It's gratifying and stunned, one in the book”, calligraphy art is a form of art that reveals emotions. Why does this post show such a look? Let's discuss separately to seek rationally to spy the relationship between calligraphy techniques and emotions. Wang Xizhi's law posts can be described as “one post, one appearance”. Among them, “Fast Snow Shiqing Post” is a very special existence, revealing a kind of peace, no excitement, wind rules, and other laws. Huge difference. Calligraphy is an art form that expresss emotions. Han Yu has a saying: “It's gratifying and stunned, one is in the book”, why can “Fast Snow in the Snow” show this peaceful appearance. This article will use pen, structure, chapters, etc. The unique display form in the fast snowy post is discussed separately to seek rationally to spy the relationship between the form of calligraphy techniques and emotional expression. In the use of the pens, analyze the details of the collection, turning, and the weight changes, and expand the important connection of the form of the pen with the emotional performance; in the structural exposition Compared with Su Shi, Mi Yan, Wang Duo and others, the single -character structure can observe the characteristics of the stable structure in the “kuaixueshiqingtie”, which can discuss the relationship between the structure of the structure and emotion; In the discussion of the chapter research, the way to introduce axis can be revealed to the uniqueness of the seal of “kuaixueshiqingtie”, and the relationship between this method is found to form a relationship with its emotional performance. 王羲之诸法帖可谓“一帖一貌”,《快雪时晴帖》是一个非常特殊的存在,流露出一种平和自然、不激不厉、风规自远之貌,和其他法帖有很大的差异。“可喜可愕,一寓于书”,书法艺术是揭示情感的一种艺术形式,该帖为何呈现如此面貌,我们将用笔、结构、章法等在《快雪时晴帖》中的独特表现形式分开来论述,以求理性的窥探书法技法的表现和情感之间的关系。王羲之诸法帖可谓“一帖一貌”,其中《快雪时晴帖》是一个非常特殊的存在,流露出一种平和自然、不激不厉、风规自远之貌,和王羲之其他法帖有很大差异。书法是表达情感的艺术形式,韩愈有言:“可喜可愕,一寓于书”,《快雪时晴帖》为何能呈现出这种平和面貌,本文将通过用笔、结构、章法等在《快雪时晴帖》中的独特展现形式分开论述,以求理性的窥探书法技法形式和情感表达之间的关系。在用笔中将从起收笔、转折、轻重变化等细节进行分析,展开论述了用笔的形式与其情感表现的重要联系;在结构方面的论述中,将《快雪时晴帖》中的单字结构同苏轼、米芾、王铎等人对比研究,能较为直观的观察到《快雪时晴帖》中结构端稳平和的特点,进而可以论述结构构成与情感表达的关系;在对作品章法研究的探讨中,引入轴线图这一方式,可以把《快雪时晴帖》的章法独特性显现出来,找到这种章法构成与其情感表现之间的关系。
求助全文
通过发布文献求助,成功后即可免费获取论文全文。 去求助
来源期刊
自引率
0.00%
发文量
0
期刊最新文献
A Study on the Formative Characteristics of the written by Sojeon Son Jaehyeong Pros and Cons and Reflections on the Construction of Contemporary Calligraphy Aesthetics from the Perspective of Ancient Scholars A Study on the Application and Analysis of Chinese Characters and Calligraphy in Avant-Garde Art in China 1980’s - Focusing on Gu Wenda,Wu Shanzhuan , and Xu Bing The Nature of Beauty: Focusing on the aesthetic consciousness of Taoism On Calligraphy Education in Compulsory Education Stage from the Perspective of Calligraphy Aesthetic Education
×
引用
GB/T 7714-2015
复制
MLA
复制
APA
复制
导出至
BibTeX EndNote RefMan NoteFirst NoteExpress
×
×
提示
您的信息不完整,为了账户安全,请先补充。
现在去补充
×
提示
您因"违规操作"
具体请查看互助需知
我知道了
×
提示
现在去查看 取消
×
提示
确定
0
微信
客服QQ
Book学术公众号 扫码关注我们
反馈
×
意见反馈
请填写您的意见或建议
请填写您的手机或邮箱
已复制链接
已复制链接
快去分享给好友吧!
我知道了
×
扫码分享
扫码分享
Book学术官方微信
Book学术文献互助
Book学术文献互助群
群 号:481959085
Book学术
文献互助 智能选刊 最新文献 互助须知 联系我们:info@booksci.cn
Book学术提供免费学术资源搜索服务,方便国内外学者检索中英文文献。致力于提供最便捷和优质的服务体验。
Copyright © 2023 Book学术 All rights reserved.
ghs 京公网安备 11010802042870号 京ICP备2023020795号-1