{"title":"结论:《辛普森一家》、文化反馈循环和阿普案例","authors":"M. Fink","doi":"10.1515/9789048540334-011","DOIUrl":null,"url":null,"abstract":"The concluding chapter revisits the central idea behind this book—The\n Simpsons’ trajectory into the age of convergence culture. More specifically,\n the chapter discusses notions of the civic imagination and fan activism in\n relation to The Simpsons, as well as the contested relationship between\n the producers of a profitable media franchise and participatory culture.\n In this connection, I interrogate the idea of cultural participation going\n full circle and feeding back to the original text. Traditionally, the media\n industries have resisted interference with what they consider their intellectual\n property. But at the same time, they have to open up their work\n to popular discourse in order for a product to remain popular and thus\n to survive in the marketplace of convergence culture.","PeriodicalId":147065,"journal":{"name":"Understanding The Simpsons","volume":"31 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2021-10-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Conclusion: The Simpsons, Cultural Feedback Loops, and the Case of Apu\",\"authors\":\"M. Fink\",\"doi\":\"10.1515/9789048540334-011\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The concluding chapter revisits the central idea behind this book—The\\n Simpsons’ trajectory into the age of convergence culture. More specifically,\\n the chapter discusses notions of the civic imagination and fan activism in\\n relation to The Simpsons, as well as the contested relationship between\\n the producers of a profitable media franchise and participatory culture.\\n In this connection, I interrogate the idea of cultural participation going\\n full circle and feeding back to the original text. Traditionally, the media\\n industries have resisted interference with what they consider their intellectual\\n property. But at the same time, they have to open up their work\\n to popular discourse in order for a product to remain popular and thus\\n to survive in the marketplace of convergence culture.\",\"PeriodicalId\":147065,\"journal\":{\"name\":\"Understanding The Simpsons\",\"volume\":\"31 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2021-10-05\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Understanding The Simpsons\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1515/9789048540334-011\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Understanding The Simpsons","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1515/9789048540334-011","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
Conclusion: The Simpsons, Cultural Feedback Loops, and the Case of Apu
The concluding chapter revisits the central idea behind this book—The
Simpsons’ trajectory into the age of convergence culture. More specifically,
the chapter discusses notions of the civic imagination and fan activism in
relation to The Simpsons, as well as the contested relationship between
the producers of a profitable media franchise and participatory culture.
In this connection, I interrogate the idea of cultural participation going
full circle and feeding back to the original text. Traditionally, the media
industries have resisted interference with what they consider their intellectual
property. But at the same time, they have to open up their work
to popular discourse in order for a product to remain popular and thus
to survive in the marketplace of convergence culture.