运动图像的光感受器采样

Applied Vision Pub Date : 1900-01-01 DOI:10.1364/av.1989.wc1
David R. Williams
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引用次数: 0

摘要

如果在时间上采样不足,周期性移动的刺激可能会出现相反的方向移动,就像在电影中由于帧率不足而引起的“马车轮”效应的情况一样。如果空间采样频率过低,由传感器或像素的空间阵列进行采样可以对以任何速度移动的周期性图案产生类似的运动反转。这些工件对于设计离散成像系统的工程师来说是众所周知的。在生物成像系统中已经证明了空间欠采样造成的伪像(Goetz, 1965; Coletta和Williams, 1987)。例如,昆虫被拴在一个包含低空间频率垂直条纹的旋转鼓的中心,表现出一种视运动反应:它们与条纹朝同一方向旋转。然而,当面对超过奈奎斯特频率的空间频率时,这些昆虫会改变它们的运动方向。这正是人们所期望的由昆虫小眼的规则排列引起的空间混叠。南希·科莱塔和我已经在人类身上证明了类似的效果,漂移干涉条纹的对比度不受光学退化的影响。在副中央凹视网膜中,高空间频率(但不是低)的光栅看起来像二维空间噪声,并且看起来与它们真正的运动方向相反。这种运动反转可以用强迫选择技术来证明。受试者猜测垂直的、统一的对比条纹的运动方向,这些条纹的方向在每次试验中随机确定。没有提供任何反馈。在高空间频率下,正确率明显低于机会表现,这表明感知到的运动方向发生了逆转。在更高的频率下,感知到的运动方向会第二次反转,而在更高的频率下,性能会随机变化。
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Photoreceptor Sampling of Moving Images
A periodic moving stimulus can appear to move in the reverse direction if it is under-sampled in time, as in the case of the "wagon wheel" effect caused by an inadequate frame rate in motion pictures. Sampling by a spatial array of sensors or pixels can produce a similar motion reversal for periodic patterns moving at any velocity, if the spatial sampling frequency is too low. These artifacts are well-known to engineers who design discrete imaging systems. The artifact resulting from spatial under-sampling has been demonstrated in biological imaging systems (Goetz, 1965, Coletta and Williams, 1987). For example, insects tethered at the center of a rotating drum containing low spatial frequency vertical stripes exhibit an optomotor response: they rotate in the same direction as the stripes. However, these insects reverse their direction of motion when confronted with spatial frequencies that exceed the Nyquist frequency of their ommatidial array. This is just what one would expect from spatial aliasing by the regular array of insect ommatidia. Nancy Coletta and I have demonstrated a similar effect in the human with drifting interference fringes whose contrast is immune to optical degradation. In the parafoveal retina, high spatial frequency (but not low) gratings look like two-dimensional spatial noise and can appear to move in the opposite direction from their true direction of motion. This motion reversal can be demonstrated with a forced-choice technique. Subjects guessed the direction of motion of vertical, unity contrast fringes whose direction was randomly determined on each trial. No feedback was provided. Percent correct falls significantly below chance performance at high spatial frequencies, indicating a reversal in the perceived direction of motion. At higher frequencies, the perceived direction of motion reverses a second time, and at even higher frequencies performance settles to chance.
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