{"title":"花园里的野蛮人","authors":"Zbigniew Herbert, Michael S. March, J. Anders","doi":"10.2307/j.ctv1zjg90f.9","DOIUrl":null,"url":null,"abstract":"Ten lyrical and passionate essays on the culture, art, and history of Western Europe written from the perspective of the post-Stalinist thaw of the 1960s.\"","PeriodicalId":251256,"journal":{"name":"Courage and Fear","volume":"118 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"4","resultStr":"{\"title\":\"Barbarian in the Garden\",\"authors\":\"Zbigniew Herbert, Michael S. March, J. Anders\",\"doi\":\"10.2307/j.ctv1zjg90f.9\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Ten lyrical and passionate essays on the culture, art, and history of Western Europe written from the perspective of the post-Stalinist thaw of the 1960s.\\\"\",\"PeriodicalId\":251256,\"journal\":{\"name\":\"Courage and Fear\",\"volume\":\"118 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"1900-01-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"4\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Courage and Fear\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.2307/j.ctv1zjg90f.9\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Courage and Fear","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.2307/j.ctv1zjg90f.9","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
Ten lyrical and passionate essays on the culture, art, and history of Western Europe written from the perspective of the post-Stalinist thaw of the 1960s."
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